مواد مشابهة: Chapter The Boxer and Death – a successful Slovak-Polish co-production that did not take place
- Chapter The Boxer and Death – a successful Slovak-Polish co-production that did not take place
- Polish–Czech and Polish–Slovak Cinematic Contact
- Chapter The vicissitudes of Polish–Czech cinematic co-operation in the interwar period
- Chapter The developments in co-production collaboration between Polish and Czechoslovak television from 1953 to 1989 in the context of socialist internationalism
- Chapter End of the Lonely Farm Berghof – in the Czech, German and Polish borderlands
- Chapter Cinematic contacts between the Polish People's Republic and the Czechoslovak Socialist Republic in the 1970s
موضوع: Czechoslovak cinema
- Chapter The mythical and indivisible Tatra mountains in Pavla Barabáš’s documentaries
- Chapter The vicissitudes of Polish–Czech cinematic co-operation in the interwar period
- Chapter End of the Lonely Farm Berghof – in the Czech, German and Polish borderlands
- Chapter Foreword
- Chapter Cinematic contacts between the Polish People's Republic and the Czechoslovak Socialist Republic in the 1970s
- Chapter Are the officers still red? The cinematic image of post-communist intelligence services in Dogs oraz Red Captain
موضوع: Czech cinema
- Chapter The mythical and indivisible Tatra mountains in Pavla Barabáš’s documentaries
- Chapter The vicissitudes of Polish–Czech cinematic co-operation in the interwar period
- Chapter End of the Lonely Farm Berghof – in the Czech, German and Polish borderlands
- Past for the Eyes
- Chapter Foreword
- Chapter Cinematic contacts between the Polish People's Republic and the Czechoslovak Socialist Republic in the 1970s