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Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
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Títulos similares: Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
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Lessons in Perception
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Studying Film with André Bazin
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Allegro non troppo
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Memory and popular film
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Androids, Humanoids, and Other Folklore Monsters
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Watching Rape
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Grendel Grendel Grendel
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Facing Forward. Art and Theory from a Future Perspective
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Early Film Theories in Italy, 1896-1922
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Audiovisual Thinking and the Essay Film
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Cinema's Doppelgängers
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Film Museum Practice and Film Historiography
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Chaste Cinematics
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Spektakel filmischer Oberflächen
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Ingmar Bergman
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Christian Metz and the Codes of Cinema
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Global Movie Magazine Networks
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Cinema against Spectacle: Technique and Ideology Revisited
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Knowledge, Spirit, Law, Book 1: Radical Scholarship
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A Credible Utopia
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Stories
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Marvelous Bodies
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Cinema at the End of Empire
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Productive Fandom
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Topic: ostrannenie
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Topic: Avant-garde
Topic: Bertolt Brecht
Topic: Distancing effect
Topic: Futurism
Topic: History of film
Topic: Russian formalism
Topic: Viktor Shklovsky
Topic: thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory o...
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Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
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Topic: defamiliarisation
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Topic: Avant-garde
Topic: Bertolt Brecht
Topic: Distancing effect
Topic: Futurism
Topic: History of film
Topic: Russian formalism
Topic: Viktor Shklovsky
Topic: thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory o...
Channel Options
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Quick Look
Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
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