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Film and Revolution
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Film Museum Practice and Film Historiography
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Memory and popular film
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Studying Film with André Bazin
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Audiovisual Thinking and the Essay Film
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Early Film Theories in Italy, 1896-1922
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Chinese Film
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The International Film Industry
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Black Film as Genre
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Issues in Feminist Film Criticism
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Animating Film Theory
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Androids, Humanoids, and Other Folklore Monsters
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Watching Rape
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Screening Race in American Nontheatrical Film
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The Enemy in Contemporary Film (Volume 12)
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The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
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Settler Attachments and Asian Diasporic Film
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Revolution & Cinema
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Facing Forward. Art and Theory from a Future Perspective
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Allegro non troppo
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Christian Metz and the Codes of Cinema
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Chaste Cinematics
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Spektakel filmischer Oberflächen
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Cinema's Doppelgängers
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Global Movie Magazine Networks
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Onderwerp: Film history, theory & criticism
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Chinese Film
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Queer African Cinemas
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Affirmative Aesthetics and Wilful Women
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Shooting Stars
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Film and Revolution
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Sergei Eisenstein and Upton Sinclair
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Post New Wave Cinema in the Soviet Union and Eastern Europe
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Breaking the Frame
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Players and Arenas
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The International Film Industry
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Sexuality in the Movies
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Jean Cocteau
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Lahore Cinema
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The Woman at the Keyhole
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Indiscretions
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Cinematic Histospheres
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The Birth of the Talkies
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Technology and Film Scholarship: Experience, Study, Theory
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Black Film as Genre
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Issues in Feminist Film Criticism
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Animating Unpredictable Effects
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Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché
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Emerging Socialities in 21st Century Healthcare
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Camera Politica
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Onderwerp: thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
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Chinese Film
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Watership Down
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Le découpage au cinéma
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Queer African Cinemas
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Fabulations nocturnes: Écologie, vitalité et opacité dans le cinéma d’Apichatpong Weerasethakul
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Affirmative Aesthetics and Wilful Women
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Shooting Stars
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Le cinéma de Hou Hsiao-hsien
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António Ferro e o “heróico cinema português”
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Grendel Grendel Grendel
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Crash
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Restitution and the Moving Image
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Representaciones cómicas de la discapacidad
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Audiences
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Unpopular Culture
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From Self-Fulfilment to Survival of the Fittest
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Alienität und Alterität
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Tempi der Bewegung – Modi des Gefühls
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Pandemic Protagonists
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Farocki/Godard. Film as Theory
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Leading Women in Spanish Cinema and Television in the Long 1970s
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Facing Forward. Art and Theory from a Future Perspective
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Still Life
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Lagos Never Spoils
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Auteur: MacBean, James Roy
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Film and Revolution
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