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Bajilčálus
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ISBN/ISSN
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Oza
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Kanálat
Camera Politica
Oza lasi kanálaid
Geahča maid: Camera Politica
Kanála doaimmat
Čájet merkoša
Dutkka kanálaid mat dása gullet
Njuolggogeahčasteapmi
Androids, Humanoids, and Other Folklore Monsters
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Watching Rape
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Memory and popular film
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Facing Forward. Art and Theory from a Future Perspective
Njuolggogeahčasteapmi
Allegro non troppo
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Christian Metz and the Codes of Cinema
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Chaste Cinematics
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Spektakel filmischer Oberflächen
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Studying Film with André Bazin
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Film Museum Practice and Film Historiography
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Early Film Theories in Italy, 1896-1922
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Cinema's Doppelgängers
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Global Movie Magazine Networks
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Grendel Grendel Grendel
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Audiovisual Thinking and the Essay Film
Njuolggogeahčasteapmi
Cinema against Spectacle: Technique and Ideology Revisited
Njuolggogeahčasteapmi
Knowledge, Spirit, Law, Book 1: Radical Scholarship
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Stories
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Marvelous Bodies
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Cinema at the End of Empire
Njuolggogeahčasteapmi
Productive Fandom
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Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez
Njuolggogeahčasteapmi
Knowledge, Spirit, Law, Book 2: The Anti-Capitalist Sublime
Njuolggogeahčasteapmi
Último día cada día: Y otro escrito sobre cine y filosofía
Čájet eanet
Fáddá: Film history, theory & criticism
Kanála doaimmat
Čájet ohcanboađusin
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Njuolggogeahčasteapmi
Chinese Film
Njuolggogeahčasteapmi
Queer African Cinemas
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Affirmative Aesthetics and Wilful Women
Njuolggogeahčasteapmi
Shooting Stars
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Film and Revolution
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Sergei Eisenstein and Upton Sinclair
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Post New Wave Cinema in the Soviet Union and Eastern Europe
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Breaking the Frame
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Players and Arenas
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The International Film Industry
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Sexuality in the Movies
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Jean Cocteau
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Lahore Cinema
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The Woman at the Keyhole
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Indiscretions
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Cinematic Histospheres
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The Birth of the Talkies
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Technology and Film Scholarship: Experience, Study, Theory
Njuolggogeahčasteapmi
Black Film as Genre
Njuolggogeahčasteapmi
Issues in Feminist Film Criticism
Njuolggogeahčasteapmi
Animating Unpredictable Effects
Njuolggogeahčasteapmi
Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché
Njuolggogeahčasteapmi
Emerging Socialities in 21st Century Healthcare
Njuolggogeahčasteapmi
Camera Politica
Čájet eanet
Fáddá: thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
Kanála doaimmat
Čájet ohcanboađusin
Dutkka kanálaid mat dása gullet
Njuolggogeahčasteapmi
Chinese Film
Njuolggogeahčasteapmi
Watership Down
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Le découpage au cinéma
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Queer African Cinemas
Njuolggogeahčasteapmi
Fabulations nocturnes: Écologie, vitalité et opacité dans le cinéma d’Apichatpong Weerasethakul
Njuolggogeahčasteapmi
Affirmative Aesthetics and Wilful Women
Njuolggogeahčasteapmi
Shooting Stars
Njuolggogeahčasteapmi
Le cinéma de Hou Hsiao-hsien
Njuolggogeahčasteapmi
António Ferro e o “heróico cinema português”
Njuolggogeahčasteapmi
Grendel Grendel Grendel
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Crash
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Restitution and the Moving Image
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Representaciones cómicas de la discapacidad
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Audiences
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Unpopular Culture
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From Self-Fulfilment to Survival of the Fittest
Njuolggogeahčasteapmi
Alienität und Alterität
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Tempi der Bewegung – Modi des Gefühls
Njuolggogeahčasteapmi
Pandemic Protagonists
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Farocki/Godard. Film as Theory
Njuolggogeahčasteapmi
Leading Women in Spanish Cinema and Television in the Long 1970s
Njuolggogeahčasteapmi
Facing Forward. Art and Theory from a Future Perspective
Njuolggogeahčasteapmi
Still Life
Njuolggogeahčasteapmi
Lagos Never Spoils
Čájet eanet
Dahkki: Kellner, Douglas
Kanála doaimmat
Čájet ohcanboađusin
Dutkka kanálaid mat dása gullet
Njuolggogeahčasteapmi
Camera Politica
Čájet eanet
Dahkki: Ryan, Michael
Kanála doaimmat
Čájet ohcanboađusin
Dutkka kanálaid mat dása gullet
Njuolggogeahčasteapmi
Marxism and Deconstruction
Njuolggogeahčasteapmi
Camera Politica
Čájet eanet
Čájet merkoša
Ovddit
Dutkka kanálaid mat dása gullet
Čuovvovaš
