Resultados de búsqueda - "Forgery"

The Matter of Mimesis

Materias: “…forgery…”
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Serenísima palabra

Materias: “…Caballero de Illescas,Hernán Núñez,Quiñones de Benavente,Asceticism,Illustrated edition,Seven love letters,Bible,Preaching,Lope de Vega,Luís de Camões,Roberto el diablo,17th Century,Uruguay,Sociology,Witticism,Italophile,Affect,Calderón,Hernando de Acuña,Insane asylums,Experience,Jiménez Patón,Antonio de Zamora,Dalila,Grotesque body,Venice,Stage,Oliveros de Castilla,Language,Nadie fíe su secreto,Controversy,Dramatic formula,Exemplary Novels,Venitian printing,Donkey,Farsalia,Castillo Solórzano,Carlo Goldoni,Suspension,Truth,Enchantment of Dulcinea,Pedro Sarmiento de Gamboa,Versification,King Sebastian,Translators,Literature,Tragic play,Modernity,Luis Gálvez de Montalvo,Anthroponomy,Diccionario de Autoridades,Tridentin work,Quijote,Walter Raleigh,Booklets,Aminta,Luigi Groto,Anagilda,French Classical Theatre,Translation constraints,Empire,Rewriting,Iberism,Painting,Literary sources,Kundera,Robbery,Matos Fragoso,Jáuregui,Ambiguity,Orthography,Love,Unstable,Metaphors,Justice,Translation,Variety,Seville,Low Baroque,Paremiology,Poetics,Góngora,String literature,Novelas ejemplares,History of typography,Girolamo Gigli,Twentieth century,Saavedra Fajardo,Margaret Theresa of Spain,Playing cards,Timanthes,Komenský,Refranes,Affinities,Mysticism,Eroticism,Court,Spain,Promujer,Juan de Mariana,El maestro de danzar,Popular culture,Pynchon,Spanish Golden Age theatre,Moreto,Cristóbal de Morales,Metaphor,Corruption,Portuguese poetry,Epic poetry,Literary Forgery,Christian preacher,Córdoba,Phonetics,Quotations,Madmen,Prior censorship,Comedia nueva,Spanish Golden Age, History of Linguistics,La Zucca del Doni en spañol,Jerónimo Corte-Real,Poetry about music,Morisco figures,Analysis,Dedicatees,Theatre Translation,Book of Job,Sonnets,Catalogue,Mercadante,Orthographiy,Barbers,Conquest of Peru,Giacomo Franco,Poetry,Spanish Golden Age Theatre,El dómine Lucas,Renascence,Lady of Copacabana,Miguel de Cervantes,Comedias de pícaros,José de la Concha,Álvar Núñez Cabeza de Vaca,Figurón comedy,Theatre,Explicitation,Copper coin,Tametsi decree,Antonio Sacchi,Sonnet,Notes,Lovers,Love poetry,Madrid,Bibliography,Religious Poetry,Italian translation,Marginalization,New Spain,Stylistic development,Dynamism,History of Spanis language,Italy,Cohesion,Spanish theatre,Slang,Symbolism,Francisco de La Torre,Short farce,Letters,Picaresque novel,Atonement,Correction to editio princeps,Spanish literature of the Golden Age,XVII century,Olivieri di Castiglia,Anacreontics,Early Music,Golden Age Poetry,Censors,Philology,José de Arroyo,Cervantes,Auto,Journey,Interpretation,Quixote,Golden Age,Graphical changes,Cáncer,Melchor Díaz de Toledo,Homeric simile,Intertextuality,El bautismo del príncipe de Marruecos,resemantization,Las dos doncellas,Sermon,Seventeenth century,Attributed authorship,Quevedo,Spanish Novel,Baroque,Sacrament of penance,Díaz de Rivas,Open access,Rimas,Cea Tesa,Travel narratives,Lope sources,Labyrinth,Countess of Harrach,Literary styles,17th century Theatre,Topos,Collaboration,Nuns,Philip IV,San Juan de la Cruz,Juan Bautista Pederzano,Philosophical method,Comedy of magic,Spiritual poetry,Perfecto predicador,Repentance,Carlo Gozzi,Bernardo de Sandoval y Rojas,Spanish Golden Age,Theater,Proverbs,Autobiography,Trees,Adventure books,Tree,Council of Castile,La noche de San Juan,Gongorism,Guzmán de Alfarache,Shame,Baroque poetry,Baroque comedy,Butterfly,Diálogo de la lengua,Santa Teresa,Edition,Spanish Court Poetry,Siglo de Oro,Sociability,La Maya,interludes,Vázquez Siruela,Female reader,Festive relation,Critical edition,Post-Tridentine Spain,The Book of Judges,Style,Order of the Golden Fleece,Lope,Adaptation Studies,Rojas Zorrilla,Gemstones,Novel,Facetia,Espada sagrada,CABIGO,Renaissance books,Disgust,Rosete Niño,Francisco de Leefdael,Imago,Honour,Italian Renaissance,Don Quixote,Fine taste,Miguel Torga,La Gerusalemme liberata,Granada,Castillejo,Descartes,Dedications,Translator,Literary censorship,Spanish Poetry,Translation Studies,Baroque theater,Fear,Literary criticism,Gypsies,Sermons,Queen Isabel de Borbón,Bandello,Portugal,Poggio Bracciolini,Republic of Letters,El piadoso veneciano,Italian,Public-Private relation,Metrics,Preacher,Decameron,Politics,17th century,Comedy,Spanish Golden Age entremeses,Novelle,Fraud,Octosyllabic verse,Alonso Remón,Priest,Authors,Decorum,Mystical symbols,Ideology,Jewels,Coherence,Fernando de Herrera,Mendeley,Enríquez de Cabrera,Italian humanist short prose,Critical editions of literary Works,Women writers,Helmet of Mambrino,Images,Press,José Saramago,Epic and Drama,Music,Parody,Romances of chivalry,Satyre,Juan de Valdés,Mythification,Francisco de Quevedo,Expression,Tradition,History of book,Eulogy,Nicolini da Sabbio,Calderón de a Barca,Cándido María Trigueros,Fernández de Lizardi,Literary authors,Rhetoric,Anti-aulic satire,Dramatic space,Francesco Portonari,Publisher,Alonso de Castillo Solórzano,Tesoro de la Lengua Castellana,Notes in scholarly editions,Authorship,Jorge de Montemayor,Satire,Empresas políticas,Ineffable language,Financial crisis,Chivalric romance,Metre,Reception theory,Textual bibliography,Golden Age minor theater,Segmentation,Libretto,Cut flower,Hagiographic drama,Traitors,Barahona de Soto…”
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Altera pars laboris

Materias: “…Archives,Aureolus,Ferdinando Galiani,Collection,Phlegraean Fields,Bellièvre,Devotion,Stones,Nani,Normandy,Iconography,Authenticity,Aurelio Guarnieri Ottoni,Reuse,Work,Dioscuri,Imperial administration,Epitaphs,Lyon,National Archaeological Museum of Naples,Farnese Collection,Antoine Galland,French Revolution,Sevillian humanism,Epigraphic forgery,Bibliotheca Epigraphica Manuscripta,Jacopo Bellini,Conventus Hispalensis,Theodor Mommsen,Turranius Gratianus,Epigraphic manuscripts,Antiquarianism,Andrea Alciato,Historiography,Vaison-la-Romaine,Rodrigo Caro,Writing tablets from London,Inscriptions,Trebellius Pollio,Acknowledgement of debt,Iberian epigraphy,Narona,Suarès,Viducasses,Roman antiquities,Epigraphic manuscript,Honorific inscription,Collecting,Manuscript,Manuscripts,Nani Museum,Roman jurists,Codices Vaticani,Procedural representation,Lost inscriptions,Digesta,Roman epigraphy,Falsae,Jupiter Dolichenus,Bonifacius Amerbach,Roman Campania,Latin inscriptions,Tarentum,Antiquarian collections,Epigraphy,Hercules Invictus,Epigraphic fakes,Churches,Codices Barberini,Libraries…”
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La falsificazione epigrafica

Materias: “…Council of Trent,Printed editions,House of Savoy,Antiquarian market in the early 1900s,Aqua Vergine,CIL VI 990*,Fake,Lucas Peto,Documentary forgeries,Fake inscriptions,Roman Liguria,Antiquarians,Amphora,Spurious imitations,Forged inscriptions,Christian forgeries,Renaissance,Fitzwilliam Museum,Aquileia,Digital editions,Decretum Rubiconis,Epigraphic forgeries,Aqueducts,Casa Museo dell’Antiquariato Ivan Bruschi,Intellectual history,Theodor Mommsen,Coarse altar,Forged blunder,Primacy of Sardinia,Critical editions,Senatus consultum,Cities,Non-alphabetic graphemes,Epigraphic research,Forgeries,Pingone,Classical scholarship,Johns Hopkins Archaeological Museum,Latin poets of Renaissance,Pirro Ligorio,CIL VI 991*,G,Internet,Epigraphic forgeries on paper,Latin epigraphy,F,Manuscript,Manuscripts,False inscriptions,Pseudo-antique palaeography,Luigi Biraghi,Savoy Piedmont,Ciriaco de’ Pizzicolli,Epitaph,John Disney,Thomas Hollis,Meyranesio,Forgery,Spain,Epigraph balanced between dimensions and inscripti,Copies,Jacopo Valvasone,Inscribed zone as decorative surface,Epigraphy,Lepontic,Marche,Mariangelo Accursio,Ager Mediolanensis,Epigraphic models,Lex de imperio Vespasiani Antonio Agustín,Antonio Trevisi,Counterfeit instrumentum inscriptum,Ancient restorations…”
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Nazi-Era Provenance of Museum Collections por Schuhmacher, Jacques

Materias: “…thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks…”
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Bilder unter Verdacht

Materias: “…thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks…”
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Image Controversies

Materias: “…thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks…”
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Frans Hals or not Frans Hals por Tummers, Anna, G. Erdmann, Robert

Materias: “…fakes and forgeries…”
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Restatement of Restitution Rules for Nazi-Confiscated Art por Weller, Matthias, Dewey, Anne, Dorn, Annika, Hahne, Charis, Lehmann, Hannah, von Lintig, Johannes, Nettels, Ole, Scheller, Tessa, Schmeller, Jordan, Stephany, Antonetta, Wenzel, Leva

Materias: “…thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks…”
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Anglo-Norman Studies XLVI

Materias: “…Thirteenth-century forgeries…”
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Chapter The Cistercian Abbey Of Kirkstead, Lincolnshire: Rethinking A Twelfth-Century Foundation And Its Thirteenth-Century Cartulary1 por Dutton, Kathryn

Materias: “…Thirteenth-century forgeries…”
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Truth and Falsehood in Science and the Arts

Materias: “…forgery…”
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Estetiske praksiser i den digitale produksjonens tidsalder por Vagn Lid, Tore, Israelson, Per, Røssaak, Eivind, Kristian S. Rustad, Hans, Pérez, Elena, Foyn Bruun, Ellen, Guanio-Uluru, Lykke, Hagen Kjørholt, Ingvild, Hjorth, Ingeborg, Müller, Insa, Homlong Storeide, Anette, Skjulstad, Synne, Eritsland, Ida, Ugelstad, Caroline, Østby Sæther, Susanne, Storstein Spilker, Hendrik, Kjus, Yngvar, Kiberg, Håvard, Landsverk Hagen, Aina, M. Tolstad, Ingrid, Berge Lorenzen, Sara, Marius Hylland, Ole, Kleppe, Bård, Bonde Thylstrup, Nanna, Hesselberth, Pepita

Materias: “…thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks…”
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Historical Authenticity

Materias: “…Forgery…”
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Faking, Forging, Counterfeiting

Materias: “…Forgery…”
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Art Markets and Digital Histories por Rasterhoff, Claartje, Van Ginhoven, Sandra

Materias: “…art forgery…”
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Fakes and Forgeries of Written Artefacts from Ancient Mesopotamia to Modern China por Michel, Cécile, Friedrich, Michael

Materias: “…forgeries…”
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Faking, Forging, Counterfeiting por Becker, Daniel, Niehoff, Simone, Fischer, Annalisa

Materias: “…Forgery…”
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Image and Video Forensics

Materias: “…inter-frame forgery…”
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Basics and Applications in Quantum Optics

Materias: “…Gao’s forgery…”
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