Ohcanbohtosat - evolution processed

Chapter Geometrie programmate: AAD sperimentazioni di graphic design Dahkki Capone, Mara, Cicala, Angela, Esposito, Lorenzo, Nocerino, Giovanni

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio Dahkki Parrinello, Sandro

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche Dahkki Empler, Tommaso, Caldarone, Adriana, Fusinetti, Alexandra

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Considerazioni sulla produzione teatrale di Gabriele D’Annunzio illustrata da caricature Dahkki Gerbis Fellipe Lacerda, Fernanda

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti Dahkki Attenni, Martina, Rossi, Maria Laura

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Le transizioni del disegno: fondi di archivio e rappresentazione digitale del Teatro Bellini (CT) Dahkki D’Agostino, Graziana, Galizia, Mariateresa, Garozzo, Raissa, La Russa, Federico Mario, Russo, Gloria, Santagati, Cettina

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania Dahkki Corniello, Luigi, De Cicco, Angelo

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Transizioni = Transitions

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Misurare e/è disegnare: tra modelli di dati e modelli grafico-geometrico-analitici Dahkki Ippoliti, Elena, Tomasella, Noemi

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Il digital twin dei siti culturali per l’inclusività e la valorizzazione. Il Castello Aragonese di Ischia Dahkki D’Auria, Saverio, Martinez Chao, Tomás Enrique, Pascariello, Maria Ines

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici Dahkki Antuono, Giuseppe, D’Agostino, Pierpaolo

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Progettazione di un percorso museale in ambiente BIM attraverso applicazioni di Real-Time Rendering Dahkki Dell'Amico, Anna, Sanseverino, Anna

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Giovanni Antonio Zamarin: la ‘normalità’ di un artista Dahkki Scalzo, Marcello

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Documenting Theatres as Spaces for ‘Transitions’ Dahkki Maietti, Federica, Raco, Fabiana, Suppa, Martina

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Fotogrammetria a distanza ravvicinata: un campione di muro composto di anfore Dahkki Gonizzi Barsanti, Sara, Palmieri, Umberto, Rossi, Adriana

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter The Historical Transition of Human Body in Architecture Dahkki Bartolomei, Cristiana, Morganti, Caterina

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Progetto di ridisegno urbano di Craco Peschiera: servizi e strategie di valorizzazione Dahkki Cittadini, Claudia, Dichio, Alessandra, Pedone, Roberto

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Shin Takamatsu e l’origine di un disegno Dahkki Rebecchini, Federico

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter El encanto de lo nuevo Dahkki Balboa Domínguez, M. Lucía, Grijalba Bengoetxea, Alberto, Grijalba Bengoetxea, Julio

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter La chiesa di Santa Maria la Vetere a Militello, nella tradizione tra reale e virtuale Dahkki Di Gregorio, Giuseppe

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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