مواد مشابهة: Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
- Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos
- Religion and Popular Music
- Act Two. What Makes Popular Christian Music “Popular”?. A Comparison Between Current US-American Contemporary Christian Music and German Popular Christian Music Using the Examples of Lauren Daigle and Koenige & Priester
- Trauma, Memory and Religion
- Apocalyptic Imaginings
- Book Review. Assaf Gamzou / Ken Koltun-Fromm (eds.), Comics and Sacred Texts. Reimagining Religion & Graphic Narratives
موضوع: BL1-2790
- Trauma, Memory and Religion
- Augustine of Hippo as Doctor Pacis: Studies on Peace in the Contemporary World Vol. 2
- Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos
- Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
- Integrating Religion and Spirituality into Clinical Practice
- Religion in the New Europe
موضوع: M1-5000
- IASPM Journal
- Antec
- Persecution, Collaboration, Resistance. Music in the ‘Reichskommissariat Norwegen’ (1940–45)
- Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos
- Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
- Prelude. "You Need a Big God". Fascinating Interactions Between Music and Religion