Chapter 7 Gender-Based Violence and the Performance of Masculinity
The aim of this chapter is to analyse how two documentary films, Elisabetta Lodoli's Ma l'amore c'entra? and Isabel de Ocampo's Serás Hombre, critically explore the interrelation between the performance of hegemonic masculinities and gender-based violence. Our methodology focuses on the affective an...
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| Main Authors: | , |
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| 格式: | Online |
| 語言: | 英语 |
| 出版: |
Taylor & Francis
2023
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| 主題: | |
| 在線閱讀: | https://library.oapen.org/handle/20.500.12657/64027 |
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沒有標簽, 成為第一個標記此記錄!
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| _version_ | 1869521978560348160 |
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| author | Calderón Sandoval, Orianna Sánchez Espinosa, Adelina |
| author_browse | Calderón Sandoval, Orianna Sánchez Espinosa, Adelina |
| author_facet | Calderón Sandoval, Orianna Sánchez Espinosa, Adelina |
| author_sort | Calderón Sandoval, Orianna |
| collection | Directory of Open Access Books |
| description | The aim of this chapter is to analyse how two documentary films, Elisabetta Lodoli's Ma l'amore c'entra? and Isabel de Ocampo's Serás Hombre, critically explore the interrelation between the performance of hegemonic masculinities and gender-based violence. Our methodology focuses on the affective and performative dimensions of documentary cinema since we look for ways in which emotions work in and through gender-based violence, shaping performances of masculinity. We also identify ‘moments of affection’, where possibilities of transformation can be envisioned. The chapter is divided into four sections. The first provides the theoretical framework, which combines feminist critiques of how gender-based violence is represented in mainstream media, the intersections between the exercise of violence and the performance of masculinity, and a description of what a performative and affective approach to the analysis of documentary cinema entails. The second and third sections present the analysis of our case studies. With hate and anger as our entry points, we close-read selected scenes from each film, incorporating opinions expressed by their directors and reactions from spectators. We conclude by summarising the modes in which our case studies set into motion ways of performing cultures of gender equality on both sides of the camera and the screen. |
| format | Online |
| id | doab-20.500.12854ir-107877 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1078772025-07-17T10:01:20Z Chapter 7 Gender-Based Violence and the Performance of Masculinity Calderón Sandoval, Orianna Sánchez Espinosa, Adelina Anthropology, social anthropology, culture, inequality, violence, masculinity, gender thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology The aim of this chapter is to analyse how two documentary films, Elisabetta Lodoli's Ma l'amore c'entra? and Isabel de Ocampo's Serás Hombre, critically explore the interrelation between the performance of hegemonic masculinities and gender-based violence. Our methodology focuses on the affective and performative dimensions of documentary cinema since we look for ways in which emotions work in and through gender-based violence, shaping performances of masculinity. We also identify ‘moments of affection’, where possibilities of transformation can be envisioned. The chapter is divided into four sections. The first provides the theoretical framework, which combines feminist critiques of how gender-based violence is represented in mainstream media, the intersections between the exercise of violence and the performance of masculinity, and a description of what a performative and affective approach to the analysis of documentary cinema entails. The second and third sections present the analysis of our case studies. With hate and anger as our entry points, we close-read selected scenes from each film, incorporating opinions expressed by their directors and reactions from spectators. We conclude by summarising the modes in which our case studies set into motion ways of performing cultures of gender equality on both sides of the camera and the screen. 2023-07-26T19:02:30Z 2023-07-26T19:02:30Z 2023-07-20T09:26:30Z 2022 chapter https://library.oapen.org/handle/20.500.12657/64027 9780367755010 9780367755096 https://directory.doabooks.org/handle/20.500.12854/107877 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/64027/1/9781003162759_10.4324_9781003162759-9.pdf https://library.oapen.org/bitstream/20.500.12657/64027/1/9781003162759_10.4324_9781003162759-9.pdf Taylor & Francis Routledge 10.4324/9781003162759-9 10.4324/9781003162759-9 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Performing Cultures of Equality Universidad de Granada 4b29ff5a-91d7-4951-b3ec-a5f90a380aa4 9780367755010 9780367755096 Routledge 18 open access |
| spellingShingle | Anthropology, social anthropology, culture, inequality, violence, masculinity, gender thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology Calderón Sandoval, Orianna Sánchez Espinosa, Adelina Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title | Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title_full | Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title_fullStr | Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title_full_unstemmed | Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title_short | Chapter 7 Gender-Based Violence and the Performance of Masculinity |
| title_sort | chapter 7 gender based violence and the performance of masculinity |
| topic | Anthropology, social anthropology, culture, inequality, violence, masculinity, gender thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology |
| topic_facet | Anthropology, social anthropology, culture, inequality, violence, masculinity, gender thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology |
| url | https://library.oapen.org/handle/20.500.12657/64027 |
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