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Racing the Great White Way

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The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting A...

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Autor principal: Johnson, Katie N.
Format: Online
Idioma:anglès
Publicat: University of Michigan Press 2023
Matèries:
Eugene O’Neill, Paul Robeson, American theater, Harlem Renaissance, Emperor Jones, All God’s Chillun Got Wings, African American performance, American film, African American film, Charles Gilpin, Dudley Murphy, Habib Benglia, diasporia, postcolonial performance, breaking color lines, Jules Bledsoe, blackface, Metropolitan Opera, transnational theater
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDF Theatre direction and production
Accés en línia:OCN: 1374246442
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