Chapter 11 Popularizing "American-ness"
Chapter 11, “Popularizing ‘Americanness,’” analyzes how The Halluci Nation’s 2016 award-winning music video, “Stadium Pow Wow,” challenges dominant pop culture discourses in powerful ways. The Halluci Nation are a DJ collective—composed of First Nations artists—who have created an innovative musical...
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| Ձևաչափ: | Online |
| Լեզու: | անգլերեն |
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Taylor & Francis
2023
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| Առցանց հասանելիություն: | https://library.oapen.org/handle/20.500.12657/64002 |
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Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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| _version_ | 1869514163752009728 |
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| author | Blu Wakpa, Tria |
| author_browse | Blu Wakpa, Tria |
| author_facet | Blu Wakpa, Tria |
| author_sort | Blu Wakpa, Tria |
| collection | Directory of Open Access Books |
| description | Chapter 11, “Popularizing ‘Americanness,’” analyzes how The Halluci Nation’s 2016 award-winning music video, “Stadium Pow Wow,” challenges dominant pop culture discourses in powerful ways. The Halluci Nation are a DJ collective—composed of First Nations artists—who have created an innovative musical style. To date, “Stadium Pow Wow” has garnered over 7.9 million views on YouTube. Contemporary “American” mainstream—that is, settler colonial—pop culture discourses frequently exclude Native Americans and their practices and/or relegate them to a historic past. Such structural exclusion of Indigenous peoples produces detrimental, material consequences. This chapter focuses on what insights can be gleaned from considering the connectedness of the disparate movement modalities depicted in the music video, which include Grass Dance, Hoop Dance, skateboarding, protest, boxing, and play. Interviews with three practitioners in the film who are prominently featured—Adrian Primeaux, Joe Buffalo, and Kenzie Wilson—inform this chapter in important ways. This chapter argues that “Stadium Pow Wow” expands dominant pop culture discourses by (1) making visible contemporary Native people, practitioners, and lands, challenging patriarchal gender norms and (2) articulating human-to-human and more-than-human linkages in the past and present to bring an Indigenous future into being. |
| format | Online |
| id | doab-20.500.12854ir-107963 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1079632025-07-17T10:01:23Z Chapter 11 Popularizing "American-ness" Blu Wakpa, Tria Davenport, J. Guyton, Jeremy Leon, Anna Simone, Teresa London Waringer, Laura cultural studies; dance; dance studies; dance history; dance theory; gender; identity; movement analysis; performance; theatre; popular culture; USA thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts Chapter 11, “Popularizing ‘Americanness,’” analyzes how The Halluci Nation’s 2016 award-winning music video, “Stadium Pow Wow,” challenges dominant pop culture discourses in powerful ways. The Halluci Nation are a DJ collective—composed of First Nations artists—who have created an innovative musical style. To date, “Stadium Pow Wow” has garnered over 7.9 million views on YouTube. Contemporary “American” mainstream—that is, settler colonial—pop culture discourses frequently exclude Native Americans and their practices and/or relegate them to a historic past. Such structural exclusion of Indigenous peoples produces detrimental, material consequences. This chapter focuses on what insights can be gleaned from considering the connectedness of the disparate movement modalities depicted in the music video, which include Grass Dance, Hoop Dance, skateboarding, protest, boxing, and play. Interviews with three practitioners in the film who are prominently featured—Adrian Primeaux, Joe Buffalo, and Kenzie Wilson—inform this chapter in important ways. This chapter argues that “Stadium Pow Wow” expands dominant pop culture discourses by (1) making visible contemporary Native people, practitioners, and lands, challenging patriarchal gender norms and (2) articulating human-to-human and more-than-human linkages in the past and present to bring an Indigenous future into being. 2023-07-26T22:38:41Z 2023-07-26T22:38:41Z 2023-07-19T11:02:51Z 2024 chapter https://library.oapen.org/handle/20.500.12657/64002 9780367819729 9780367819842 https://directory.doabooks.org/handle/20.500.12854/107963 eng open access image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/64002/1/9781003011170_10.4324_9781003011170-15.pdf https://library.oapen.org/bitstream/20.500.12657/64002/1/9781003011170_10.4324_9781003011170-15.pdf Taylor & Francis Routledge 10.4324/9781003011170-15 10.4324/9781003011170-15 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Dance in US Popular Culture 9780367819729 9780367819842 Routledge 35 open access |
| spellingShingle | cultural studies; dance; dance studies; dance history; dance theory; gender; identity; movement analysis; performance; theatre; popular culture; USA thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts Blu Wakpa, Tria Chapter 11 Popularizing "American-ness" |
| title | Chapter 11 Popularizing "American-ness" |
| title_full | Chapter 11 Popularizing "American-ness" |
| title_fullStr | Chapter 11 Popularizing "American-ness" |
| title_full_unstemmed | Chapter 11 Popularizing "American-ness" |
| title_short | Chapter 11 Popularizing "American-ness" |
| title_sort | chapter 11 popularizing american ness |
| topic | cultural studies; dance; dance studies; dance history; dance theory; gender; identity; movement analysis; performance; theatre; popular culture; USA thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts |
| topic_facet | cultural studies; dance; dance studies; dance history; dance theory; gender; identity; movement analysis; performance; theatre; popular culture; USA thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts |
| url | https://library.oapen.org/handle/20.500.12657/64002 |
| work_keys_str_mv | AT bluwakpatria chapter11popularizingamericanness |