Chapter 16 The always-not-yet/always-already of voice perception
As a first step towards tackling vocal presence as a matter of time, the proposed strategy is to attend to a particularly crucial moment in voice training: listening to one’s own voice while in act of voicing. Even if voicers are trained to ‘be in the moment’ or to ‘achieve presence,’ they can only...
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| フォーマット: | Online |
| 言語: | 英語 |
| 出版事項: |
Taylor & Francis
2023
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| 主題: | |
| オンライン･アクセス: | https://library.oapen.org/handle/20.500.12657/75323 |
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| _version_ | 1869515150928642048 |
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| author | Thomaidis, Konstantinos |
| author_browse | Thomaidis, Konstantinos |
| author_facet | Thomaidis, Konstantinos |
| author_sort | Thomaidis, Konstantinos |
| collection | Directory of Open Access Books |
| description | As a first step towards tackling vocal presence as a matter of time, the proposed strategy is to attend to a particularly crucial moment in voice training: listening to one’s own voice while in act of voicing. Even if voicers are trained to ‘be in the moment’ or to ‘achieve presence,’ they can only rely on post-voicing auditory feedback or pre-voicing kinaesthetic awareness; voice perception is always-not-yet there or always-already there. When asked about definitions of vocal presence or whether they have developed a definition of vocal presence for the specific purposes of their studio work, all interviewees admit the complexity or impossibility of the task. Vocal presence can move beyond the bounds of the individual body and physiological or psychological notions of tension and release. Jane Boston asserts that an advantageous starting point for training vocal presence is breath, as ‘phonation depends on the appropriate manipulation of breath pressure and its conscious application for production of efficient soundwaves’. |
| format | Online |
| id | doab-20.500.12854ir-112591 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1125912025-07-17T10:00:01Z Chapter 16 The always-not-yet/always-already of voice perception Thomaidis, Konstantinos aging, documentation, duration, embodiment, endurance, intercultural, temporality, aging, notions of time, performer training, training regimes thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies As a first step towards tackling vocal presence as a matter of time, the proposed strategy is to attend to a particularly crucial moment in voice training: listening to one’s own voice while in act of voicing. Even if voicers are trained to ‘be in the moment’ or to ‘achieve presence,’ they can only rely on post-voicing auditory feedback or pre-voicing kinaesthetic awareness; voice perception is always-not-yet there or always-already there. When asked about definitions of vocal presence or whether they have developed a definition of vocal presence for the specific purposes of their studio work, all interviewees admit the complexity or impossibility of the task. Vocal presence can move beyond the bounds of the individual body and physiological or psychological notions of tension and release. Jane Boston asserts that an advantageous starting point for training vocal presence is breath, as ‘phonation depends on the appropriate manipulation of breath pressure and its conscious application for production of efficient soundwaves’. 2023-08-10T04:01:33Z 2023-08-10T04:01:33Z 2023-08-09T13:58:35Z 2019 chapter https://library.oapen.org/handle/20.500.12657/75323 9780815396277 9780815396284 https://directory.doabooks.org/handle/20.500.12854/112591 eng open access image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/75323/1/9781351180368_10.4324_9781351180368-21.pdf https://library.oapen.org/bitstream/20.500.12657/75323/1/9781351180368_10.4324_9781351180368-21.pdf Taylor & Francis Routledge 10.4324/9781351180368-21 10.4324/9781351180368-21 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Time and Performer Training University of Exeter c1f2565c-65c6-4339-be4d-3b9878be853f 9780815396277 9780815396284 Routledge 16 open access |
| spellingShingle | aging, documentation, duration, embodiment, endurance, intercultural, temporality, aging, notions of time, performer training, training regimes thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Thomaidis, Konstantinos Chapter 16 The always-not-yet/always-already of voice perception |
| title | Chapter 16 The always-not-yet/always-already of voice perception |
| title_full | Chapter 16 The always-not-yet/always-already of voice perception |
| title_fullStr | Chapter 16 The always-not-yet/always-already of voice perception |
| title_full_unstemmed | Chapter 16 The always-not-yet/always-already of voice perception |
| title_short | Chapter 16 The always-not-yet/always-already of voice perception |
| title_sort | chapter 16 the always not yet always already of voice perception |
| topic | aging, documentation, duration, embodiment, endurance, intercultural, temporality, aging, notions of time, performer training, training regimes thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies |
| topic_facet | aging, documentation, duration, embodiment, endurance, intercultural, temporality, aging, notions of time, performer training, training regimes thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies |
| url | https://library.oapen.org/handle/20.500.12657/75323 |
| work_keys_str_mv | AT thomaidiskonstantinos chapter16thealwaysnotyetalwaysalreadyofvoiceperception |