L’obscène, mode d’emploi
Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of...
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| Format: | Online |
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| Sprache: | Französisch Englisch |
| Veröffentlicht: |
Maison des Sciences de l'homme d'Aquitaine
2023
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| Online-Zugang: | ONIX_20230814_9782858926404_9 |
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| _version_ | 1869529923687809024 |
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| collection | Directory of Open Access Books |
| description | Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated? |
| format | Online |
| id | doab-20.500.12854ir-112638 |
| institution | Directory of Open Access Books |
| language | fre eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Maison des Sciences de l'homme d'Aquitaine |
| publisherStr | Maison des Sciences de l'homme d'Aquitaine |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1126382024-03-24T21:08:12Z L’obscène, mode d’emploi Frei, Peter Labere, Nelly Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty thema EDItEUR::D Biography, Literature and Literary studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::A The Arts Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated? 2023-08-14T10:12:01Z 2023-08-14T10:12:01Z 2022 book ONIX_20230814_9782858926404_9 741-1818 9782858926404 9782858926411 https://directory.doabooks.org/handle/20.500.12854/112638 fre eng PrimaLun@ image/png Attribution-ShareAlike 4.0 International https://una-editions.fr/obscene-mode-demploi https://ressources.una-editions.fr/s/5qejy7WJz2c8g5Q Maison des Sciences de l'homme d'Aquitaine Pôle Production Imprimé, Université Bordeaux Montaigne 10.46608/primaluna16.9782858926404 Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated? 10.46608/primaluna16.9782858926404 ca43151a-5af0-45f7-911f-f04a6f93c36e 9782858926404 9782858926411 Pôle Production Imprimé, Université Bordeaux Montaigne 16 146 Pessac open access |
| spellingShingle | Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty thema EDItEUR::D Biography, Literature and Literary studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::A The Arts L’obscène, mode d’emploi |
| title | L’obscène, mode d’emploi |
| title_full | L’obscène, mode d’emploi |
| title_fullStr | L’obscène, mode d’emploi |
| title_full_unstemmed | L’obscène, mode d’emploi |
| title_short | L’obscène, mode d’emploi |
| title_sort | l obscene mode d emploi |
| topic | Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty thema EDItEUR::D Biography, Literature and Literary studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::A The Arts |
| topic_facet | Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty thema EDItEUR::D Biography, Literature and Literary studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::A The Arts |
| url | ONIX_20230814_9782858926404_9 |