KinoFabula
The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works:...
Wedi'i Gadw mewn:
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| Fformat: | Online |
| Iaith: | Ffrangeg |
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Presses de l’Inalco
2023
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| Pynciau: | |
| Mynediad Ar-lein: | ONIX_20230911_9782858312634_137 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869527441254383616 |
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| author | Géry, Catherine |
| author_browse | Géry, Catherine |
| author_facet | Géry, Catherine |
| author_sort | Géry, Catherine |
| collection | Directory of Open Access Books |
| description | The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a semantic return to the texts and tell us about their interpretative regime; and temporal relationships that embed history (the historical past) in stories (the present of the fictional enunciation). The works that thereby enter into dialogue are considered as (textual or visual) spaces of transition, as eternally imperfect and unfinished objects that nevertheless each aspire to completion, in the same way that, according to Walter Benjamin, a translation completes the “original” text and reveals its mode of intention. By adding themselves to one another, commenting on one another, translating one another or rewriting one another, literary and visual works feed into the very movement of culture, which is constantly “hybridizing” and reinterpreting its own content. |
| format | Online |
| id | doab-20.500.12854ir-113642 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Presses de l’Inalco |
| publisherStr | Presses de l’Inalco |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1136422024-03-23T21:37:34Z KinoFabula Géry, Catherine Russian cinema Russian literature European cinema film adaptation literary classics intermediality cultural transfers history fiction thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a semantic return to the texts and tell us about their interpretative regime; and temporal relationships that embed history (the historical past) in stories (the present of the fictional enunciation). The works that thereby enter into dialogue are considered as (textual or visual) spaces of transition, as eternally imperfect and unfinished objects that nevertheless each aspire to completion, in the same way that, according to Walter Benjamin, a translation completes the “original” text and reveals its mode of intention. By adding themselves to one another, commenting on one another, translating one another or rewriting one another, literary and visual works feed into the very movement of culture, which is constantly “hybridizing” and reinterpreting its own content. 2023-09-11T07:38:22Z 2023-09-11T07:38:22Z 2016 book ONIX_20230911_9782858312634_137 2495-568X 9782858312634 9782858312641 https://directory.doabooks.org/handle/20.500.12854/113642 fre EuropeS image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.7switch.com/fr/ebook/9782858312634/from/openedition https://books.openedition.org/pressesinalco/111 Presses de l’Inalco 10.4000/books.pressesinalco.111 The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a semantic return to the texts and tell us about their interpretative regime; and temporal relationships that embed history (the historical past) in stories (the present of the fictional enunciation). The works that thereby enter into dialogue are considered as (textual or visual) spaces of transition, as eternally imperfect and unfinished objects that nevertheless each aspire to completion, in the same way that, according to Walter Benjamin, a translation completes the “original” text and reveals its mode of intention. By adding themselves to one another, commenting on one another, translating one another or rewriting one another, literary and visual works feed into the very movement of culture, which is constantly “hybridizing” and reinterpreting its own content. 10.4000/books.pressesinalco.111 a988fd18-fa61-4b95-b658-b8b53fe4cc1c 9782858312634 9782858312641 256 Paris open access |
| spellingShingle | Russian cinema Russian literature European cinema film adaptation literary classics intermediality cultural transfers history fiction thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Géry, Catherine KinoFabula |
| title | KinoFabula |
| title_full | KinoFabula |
| title_fullStr | KinoFabula |
| title_full_unstemmed | KinoFabula |
| title_short | KinoFabula |
| title_sort | kinofabula |
| topic | Russian cinema Russian literature European cinema film adaptation literary classics intermediality cultural transfers history fiction thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| topic_facet | Russian cinema Russian literature European cinema film adaptation literary classics intermediality cultural transfers history fiction thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| url | ONIX_20230911_9782858312634_137 |
| work_keys_str_mv | AT gerycatherine kinofabula |