Just Vibrations
Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings-interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spok...
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| Главные авторы: | , |
|---|---|
| Формат: | Online |
| Язык: | английский |
| Опубликовано: |
University of Michigan Press
2023
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| Предметы: | |
| Online-ссылка: | ONIX_20231005_9780472900565_33 |
| Метки: |
Нет меток, Требуется 1-ая метка записи!
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| _version_ | 1869515883247828992 |
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| author | Cheng, William McClary, Susan |
| author_browse | Cheng, William McClary, Susan |
| author_facet | Cheng, William McClary, Susan |
| author_sort | Cheng, William |
| collection | Directory of Open Access Books |
| description | Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings-interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spoken reparative efforts, which forego forceful argument in favor of ruminations on pleasure, love, sentiment, reform, care, and accessibility. Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. How we choose to think about the perpetration and tolerance of critical and acoustic offenses may ultimately lead us down avenues of ethical ruin-or, if we choose, repair. With recourse to experimental rhetoric, interdisciplinary discretion, and the playful wisdoms of childhood, Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds. |
| format | Online |
| id | doab-20.500.12854ir-114238 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | University of Michigan Press |
| publisherStr | University of Michigan Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1142382025-02-04T09:03:26Z Just Vibrations Cheng, William McClary, Susan Music Sociology thema EDItEUR::A The Arts::AV Music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspects Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings-interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spoken reparative efforts, which forego forceful argument in favor of ruminations on pleasure, love, sentiment, reform, care, and accessibility. Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. How we choose to think about the perpetration and tolerance of critical and acoustic offenses may ultimately lead us down avenues of ethical ruin-or, if we choose, repair. With recourse to experimental rhetoric, interdisciplinary discretion, and the playful wisdoms of childhood, Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds. 2023-10-05T10:01:10Z 2023-10-05T10:01:10Z 2016 book ONIX_20231005_9780472900565_33 9780472900565 9780472073252 https://directory.doabooks.org/handle/20.500.12854/114238 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.jstor.org/stable/10.2307/j.ctvdtpj0x University of Michigan Press 10.2307/j.ctvdtpj0x 10.2307/j.ctvdtpj0x b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472900565 9780472073252 open access |
| spellingShingle | Music Sociology thema EDItEUR::A The Arts::AV Music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspects Cheng, William McClary, Susan Just Vibrations |
| title | Just Vibrations |
| title_full | Just Vibrations |
| title_fullStr | Just Vibrations |
| title_full_unstemmed | Just Vibrations |
| title_short | Just Vibrations |
| title_sort | just vibrations |
| topic | Music Sociology thema EDItEUR::A The Arts::AV Music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspects |
| topic_facet | Music Sociology thema EDItEUR::A The Arts::AV Music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspects |
| url | ONIX_20231005_9780472900565_33 |
| work_keys_str_mv | AT chengwilliam justvibrations AT mcclarysusan justvibrations |