Center Stage

Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteent...

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1. autor: Ther, Philipp
Format: Online
Język:angielski
Wydane: Purdue University Press 2023
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Dostęp online:ONIX_20231005_9781612493299_1720
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author Ther, Philipp
author_browse Ther, Philipp
author_facet Ther, Philipp
author_sort Ther, Philipp
collection Directory of Open Access Books
description Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework.
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spelling doab-20.500.12854ir-1159642024-04-02T13:59:42Z Center Stage Ther, Philipp History European Studies Slavic Studies Performing Arts thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::N History and Archaeology::NH History::NHB General and world history Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework. 2023-10-05T10:52:25Z 2023-10-05T10:52:25Z 2014 book ONIX_20231005_9781612493299_1720 9781612493299 9781557536754 https://directory.doabooks.org/handle/20.500.12854/115964 eng Central European Studies image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.jstor.org/stable/10.2307/j.ctt6wq5jh Purdue University Press 10.2307/j.ctt6wq5jh 10.2307/j.ctt6wq5jh ab0dc43b-863c-4471-84ed-f90e748ed075 9781612493299 9781557536754 open access
spellingShingle History
European Studies
Slavic Studies
Performing Arts
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
Ther, Philipp
Center Stage
title Center Stage
title_full Center Stage
title_fullStr Center Stage
title_full_unstemmed Center Stage
title_short Center Stage
title_sort center stage
topic History
European Studies
Slavic Studies
Performing Arts
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
topic_facet History
European Studies
Slavic Studies
Performing Arts
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
url ONIX_20231005_9781612493299_1720
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