Essays on Native Modernism

Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20t...

Бүрэн тодорхойлолт

-д хадгалсан:
Номзүйн дэлгэрэнгүй
Формат: Online
Хэл сонгох:англи
Хэвлэсэн: National Museum of the American Indian 2023
Нөхцлүүд:
Онлайн хандалт:ONIX_20231005_9781933565323_2125
Шошгууд: Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
_version_ 1869522582138519552
collection Directory of Open Access Books
description Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20th-century art—as well as investigates the basis of a Native modernism by eliciting a broad discussion about the critical perspectives and practices of Native artists across North America. Also examined is the place of Native modernism in the canon of American art and the currents of influence between them.
format Online
id doab-20.500.12854ir-116416
institution Directory of Open Access Books
language eng
publishDate 2023
publishDateRange 2023
publishDateSort 2023
publisher National Museum of the American Indian
publisherStr National Museum of the American Indian
record_format ojs
spelling doab-20.500.12854ir-1164162024-03-23T14:58:33Z Essays on Native Modernism Art & Art History American Indian Studies thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20th-century art—as well as investigates the basis of a Native modernism by eliciting a broad discussion about the critical perspectives and practices of Native artists across North America. Also examined is the place of Native modernism in the canon of American art and the currents of influence between them. 2023-10-05T11:04:09Z 2023-10-05T11:04:09Z 2006 book ONIX_20231005_9781933565323_2125 9781933565323 9781933565026 https://directory.doabooks.org/handle/20.500.12854/116416 eng image/jpeg Attribution 4.0 International https://www.jstor.org/stable/10.2307/j.ctv37wprn3 National Museum of the American Indian 10.2307/j.ctv37wprn3 10.2307/j.ctv37wprn3 b93a4381-79ee-4434-8530-436961b3e243 9781933565323 9781933565026 open access
spellingShingle Art & Art History
American Indian Studies
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Essays on Native Modernism
title Essays on Native Modernism
title_full Essays on Native Modernism
title_fullStr Essays on Native Modernism
title_full_unstemmed Essays on Native Modernism
title_short Essays on Native Modernism
title_sort essays on native modernism
topic Art & Art History
American Indian Studies
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
topic_facet Art & Art History
American Indian Studies
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
url ONIX_20231005_9781933565323_2125