Celluloid Democracy

The first book to offer a history of film activism in post-1945 South Korea, Celluloid Democracy tells the story of the Korean filmmakers, distributors, and exhibitors who reshaped cinema in radically empowering ways through decades of authoritarian rule. Employing tactics that ranged from represent...

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Autor principal: Kim, Hieyoon
Formato: Online
Idioma:inglês
Publicado em: University of California Press 2023
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Acesso em linha:OCN: 1376195752
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author Kim, Hieyoon
author_browse Kim, Hieyoon
author_facet Kim, Hieyoon
author_sort Kim, Hieyoon
collection Directory of Open Access Books
description The first book to offer a history of film activism in post-1945 South Korea, Celluloid Democracy tells the story of the Korean filmmakers, distributors, and exhibitors who reshaped cinema in radically empowering ways through decades of authoritarian rule. Employing tactics that ranged from representing the dispossessed on the screen to redistributing state-controlled resources through bootlegging, these film workers explored ideas and practices that simultaneously challenged repressive rule and pushed the limits of the cinematic medium. Drawing on archival research, film analysis, and interviews, Hieyoon Kim shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish. “Celluloid Democracy is brilliant; the scholarship is admirable. Hieyoon Kim has written an extraordinarily captivating account of the film workers, educators, intellectuals, and radical film activists in Cold War South Korea who dreamed of a better world and struggled to achieve democracy through cinema until the end of military rule in 1987. This remarkably readable and well-researched study deserves a wide audience.” — SANGJOON LEE, author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network “A fascinating and polished piece of scholarship. I don’t know of any other book quite like this one. Moving away from the traditional focus on auteurs and film texts, Kim masterfully draws our attention to the critical yet often forgotten figures working on the margins of the postwar film scene, filling in some substantial gaps in our understanding of this period.” — CHRISTINA KLEIN, author of Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema
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spelling doab-20.500.12854ir-1214622025-03-20T13:28:21Z Celluloid Democracy Kim, Hieyoon cinema; politics; cold war; South Korea The first book to offer a history of film activism in post-1945 South Korea, Celluloid Democracy tells the story of the Korean filmmakers, distributors, and exhibitors who reshaped cinema in radically empowering ways through decades of authoritarian rule. Employing tactics that ranged from representing the dispossessed on the screen to redistributing state-controlled resources through bootlegging, these film workers explored ideas and practices that simultaneously challenged repressive rule and pushed the limits of the cinematic medium. Drawing on archival research, film analysis, and interviews, Hieyoon Kim shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish. “Celluloid Democracy is brilliant; the scholarship is admirable. Hieyoon Kim has written an extraordinarily captivating account of the film workers, educators, intellectuals, and radical film activists in Cold War South Korea who dreamed of a better world and struggled to achieve democracy through cinema until the end of military rule in 1987. This remarkably readable and well-researched study deserves a wide audience.” — SANGJOON LEE, author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network “A fascinating and polished piece of scholarship. I don’t know of any other book quite like this one. Moving away from the traditional focus on auteurs and film texts, Kim masterfully draws our attention to the critical yet often forgotten figures working on the margins of the postwar film scene, filling in some substantial gaps in our understanding of this period.” — CHRISTINA KLEIN, author of Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema 2023-11-16T11:08:02Z 2023-11-16T11:08:02Z 2023-10-02T11:05:44Z 2023 book OCN: 1376195752 https://library.oapen.org/handle/20.500.12657/76518 9780520394377 https://directory.doabooks.org/handle/20.500.12854/121462 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/76518/1/celluloid-democracy.pdf https://library.oapen.org/bitstream/20.500.12657/76518/1/celluloid-democracy.pdf https://library.oapen.org/bitstream/20.500.12657/76518/1/celluloid-democracy.pdf University of California Press 10.1525/luminos.163 10.1525/luminos.163 19856893-4bf2-4e3e-9137-c7692d64e4c1 9780520394377 184 Oakland open access
spellingShingle cinema; politics; cold war; South Korea
Kim, Hieyoon
Celluloid Democracy
title Celluloid Democracy
title_full Celluloid Democracy
title_fullStr Celluloid Democracy
title_full_unstemmed Celluloid Democracy
title_short Celluloid Democracy
title_sort celluloid democracy
topic cinema; politics; cold war; South Korea
topic_facet cinema; politics; cold war; South Korea
url OCN: 1376195752
work_keys_str_mv AT kimhieyoon celluloiddemocracy