Präexistente Musik im Film
From the end of the world with Richard Wagner's "Tristan and Isolde" to the vocal performance of a Björk sentenced to death on the gallows to Johann Sebastian Bach's organ music as an explanatory model for hypersexuality: as strange as Lars von Trier's cinema may seem, it offers a wide range of oppo...
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| Format: | Online |
| Idioma: | alemany |
| Publicat: |
Edition Text + Kritik
2023
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| Accés en línia: | https://directory.doabooks.org/handle/20.500.12854/128454 |
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