Präexistente Musik im Film

From the end of the world with Richard Wagner's "Tristan and Isolde" to the vocal performance of a Björk sentenced to death on the gallows to Johann Sebastian Bach's organ music as an explanatory model for hypersexuality: as strange as Lars von Trier's cinema may seem, it offers a wide range of oppo...

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Dades bibliogràfiques
Autor principal: Rudolph, Pascal
Format: Online
Idioma:alemany
Publicat: Edition Text + Kritik 2023
Matèries:
Accés en línia:https://directory.doabooks.org/handle/20.500.12854/128454
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