Archeologia come esperienza

In the book Atmospheres, architect Peter Zumthor begins his reflections on the subject of the sensory perception of a place, observing that “there is a magic of reality, [...] a magic of thought. A passion for beautiful thought”. The magic of the real translates into the construction of an experienc...

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Հիմնական հեղինակ: Palmieri, Alice
Ձևաչափ: Online
Լեզու:իտալերեն
Հրապարակվել է: FrancoAngeli 2023
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Առցանց հասանելիություն:ONIX_20231130_9788835131601_12
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author Palmieri, Alice
author_browse Palmieri, Alice
author_facet Palmieri, Alice
author_sort Palmieri, Alice
collection Directory of Open Access Books
description In the book Atmospheres, architect Peter Zumthor begins his reflections on the subject of the sensory perception of a place, observing that “there is a magic of reality, [...] a magic of thought. A passion for beautiful thought”. The magic of the real translates into the construction of an experience that simultaneously involves several perceptive stimulations and reaches out to touch and move something deep inside, defining a spatial condition characterised by impalpable and ethereal elements. The book seeks to define the conditions to create an active experience of the archaeological site, through “staging” strategies that consider space as the place of representation in which the transposition occurs, in a certain sense magical, from the plane of reality to its imaginary and conversely. The action on the archaeological site, therefore, is called upon to give structure and form to an idea that acts on the heritage, seeking the ability to dialogue with the context or to redesign it, in order to elaborate a representation that gives life to a narrative. The volume proposes a reflection on the approach to the contemporary use of archaeological heritage, through the reading and analysis of relevant European case studies, in which the definition of visual devices, pathways, covers and forms of reuse makes it possible to perceive and experience what no longer exists, also through the three-dimensional representation of the gap. The images evoked and the resulting imagery belong to a field in which the ability to construct a convincing visual narrative and an effective perceptive dimension is indispensable for a contemporary project of cultural enhancement and promotion.
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spelling doab-20.500.12854ir-1288722025-03-20T08:26:52Z Archeologia come esperienza Palmieri, Alice archaeology, museums, fruition, experience, imaginaries, reconfiguration In the book Atmospheres, architect Peter Zumthor begins his reflections on the subject of the sensory perception of a place, observing that “there is a magic of reality, [...] a magic of thought. A passion for beautiful thought”. The magic of the real translates into the construction of an experience that simultaneously involves several perceptive stimulations and reaches out to touch and move something deep inside, defining a spatial condition characterised by impalpable and ethereal elements. The book seeks to define the conditions to create an active experience of the archaeological site, through “staging” strategies that consider space as the place of representation in which the transposition occurs, in a certain sense magical, from the plane of reality to its imaginary and conversely. The action on the archaeological site, therefore, is called upon to give structure and form to an idea that acts on the heritage, seeking the ability to dialogue with the context or to redesign it, in order to elaborate a representation that gives life to a narrative. The volume proposes a reflection on the approach to the contemporary use of archaeological heritage, through the reading and analysis of relevant European case studies, in which the definition of visual devices, pathways, covers and forms of reuse makes it possible to perceive and experience what no longer exists, also through the three-dimensional representation of the gap. The images evoked and the resulting imagery belong to a field in which the ability to construct a convincing visual narrative and an effective perceptive dimension is indispensable for a contemporary project of cultural enhancement and promotion. 2023-12-01T04:00:55Z 2023-12-01T04:00:55Z 2023-11-30T21:02:33Z 2023 book ONIX_20231130_9788835131601_12 OCN: 1394047977 https://library.oapen.org/handle/20.500.12657/85690 9788835131601 https://directory.doabooks.org/handle/20.500.12854/128872 ita Forme del disegno open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/85690/1/9788835131601.pdf https://library.oapen.org/bitstream/20.500.12657/85690/1/9788835131601.pdf https://library.oapen.org/bitstream/20.500.12657/85690/1/9788835131601.pdf FrancoAngeli 3b1e4403-b637-4268-a952-2280e4500b8a 9788835131601 177 Milan open access
spellingShingle archaeology, museums, fruition, experience, imaginaries, reconfiguration
Palmieri, Alice
Archeologia come esperienza
title Archeologia come esperienza
title_full Archeologia come esperienza
title_fullStr Archeologia come esperienza
title_full_unstemmed Archeologia come esperienza
title_short Archeologia come esperienza
title_sort archeologia come esperienza
topic archaeology, museums, fruition, experience, imaginaries, reconfiguration
topic_facet archaeology, museums, fruition, experience, imaginaries, reconfiguration
url ONIX_20231130_9788835131601_12
work_keys_str_mv AT palmierialice archeologiacomeesperienza