South End Shout
South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social conditio...
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| Format: | Online |
| Język: | angielski |
| Wydane: |
Lever Press
2023
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| Hasła przedmiotowe: | |
| Dostęp online: | OCN: 1354571457 |
| Etykiety: |
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| _version_ | 1869515682555625472 |
|---|---|
| author | House, Roger |
| author_browse | House, Roger |
| author_facet | House, Roger |
| author_sort | House, Roger |
| collection | Directory of Open Access Books |
| description | South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music.
South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars.
With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book. |
| format | Online |
| id | doab-20.500.12854ir-131344 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Lever Press |
| publisherStr | Lever Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1313442025-03-21T04:42:59Z South End Shout House, Roger Fox, James Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally’s Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women’s Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram “Al Vega” Vagramian, Nuncio “Toots” Mondello, Armando “Chic” Corea, Ruby Foo’s Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward “Sonny” Stitt, Fat Man Robinson, Silas “Shag” and Balcom “Bal” Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men’s Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music. South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars. With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book. 2023-12-05T04:05:55Z 2023-12-05T04:05:55Z 2023-12-04T13:11:22Z 2023 book OCN: 1354571457 https://library.oapen.org/handle/20.500.12657/85772 9781643150475 https://directory.doabooks.org/handle/20.500.12854/131344 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/85772/1/9781643150482.pdf https://library.oapen.org/bitstream/20.500.12657/85772/1/9781643150482.pdf https://library.oapen.org/bitstream/20.500.12657/85772/1/9781643150482.pdf https://library.oapen.org/bitstream/20.500.12657/85772/1/9781643150482.pdf Lever Press 10.3998/mpub.12735924 10.3998/mpub.12735924 1f7afbda-6b1b-482d-b7ae-aa8e17267d01 9781643150475 258 open access |
| spellingShingle | Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally’s Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women’s Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram “Al Vega” Vagramian, Nuncio “Toots” Mondello, Armando “Chic” Corea, Ruby Foo’s Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward “Sonny” Stitt, Fat Man Robinson, Silas “Shag” and Balcom “Bal” Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men’s Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X House, Roger South End Shout |
| title | South End Shout |
| title_full | South End Shout |
| title_fullStr | South End Shout |
| title_full_unstemmed | South End Shout |
| title_short | South End Shout |
| title_sort | south end shout |
| topic | Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally’s Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women’s Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram “Al Vega” Vagramian, Nuncio “Toots” Mondello, Armando “Chic” Corea, Ruby Foo’s Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward “Sonny” Stitt, Fat Man Robinson, Silas “Shag” and Balcom “Bal” Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men’s Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X |
| topic_facet | Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally’s Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women’s Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram “Al Vega” Vagramian, Nuncio “Toots” Mondello, Armando “Chic” Corea, Ruby Foo’s Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward “Sonny” Stitt, Fat Man Robinson, Silas “Shag” and Balcom “Bal” Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men’s Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X |
| url | OCN: 1354571457 |
| work_keys_str_mv | AT houseroger southendshout |