Chapter Colophon - Indice

The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate sta...

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Үндсэн зохиолчид: Cannella, Mirco, Garozzo, Alessia, Morena, Sara
Формат: Online
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Хэвлэсэн: FrancoAngeli 2024
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Онлайн хандалт:ONIX_20240111_9788835155119_2
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author Cannella, Mirco
Garozzo, Alessia
Morena, Sara
author_browse Cannella, Mirco
Garozzo, Alessia
Morena, Sara
author_facet Cannella, Mirco
Garozzo, Alessia
Morena, Sara
author_sort Cannella, Mirco
collection Directory of Open Access Books
description The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
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spelling doab-20.500.12854ir-1326132025-01-11T10:13:41Z Chapter Colophon - Indice Cannella, Mirco Garozzo, Alessia Morena, Sara Transitions Cross Modulate Develop Drawing Science of Representation The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. 2024-01-12T04:01:21Z 2024-01-12T04:01:21Z 2024-01-11T15:37:41Z 2023 chapter ONIX_20240111_9788835155119_2 https://library.oapen.org/handle/20.500.12657/86613 9788835155119 https://directory.doabooks.org/handle/20.500.12854/132613 ita eng spa diségno open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/86613/1/01-011_INDICE.pdf https://library.oapen.org/bitstream/20.500.12657/86613/1/01-011_INDICE.pdf FrancoAngeli ÈKPHRASIS 3b1e4403-b637-4268-a952-2280e4500b8a Transizioni = Transitions 13e8d073-28df-4d0b-8bc5-df905271292d 9788835155119 10 Milan open access
spellingShingle Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
Cannella, Mirco
Garozzo, Alessia
Morena, Sara
Chapter Colophon - Indice
title Chapter Colophon - Indice
title_full Chapter Colophon - Indice
title_fullStr Chapter Colophon - Indice
title_full_unstemmed Chapter Colophon - Indice
title_short Chapter Colophon - Indice
title_sort chapter colophon indice
topic Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
topic_facet Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
url ONIX_20240111_9788835155119_2
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