Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating
The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate sta...
Kaydedildi:
| Yazar: | |
|---|---|
| Materyal Türü: | Online |
| Dil: | İtalyanca İngilizce İspanyolca |
| Baskı/Yayın Bilgisi: |
FrancoAngeli
2024
|
| Konular: | |
| Online Erişim: | ONIX_20240111_9788835155119_171 |
| Etiketler: |
Etiket eklenmemiş, İlk siz ekleyin!
|
| _version_ | 1869517221166841856 |
|---|---|
| author | Marcos, Carlos L. |
| author_browse | Marcos, Carlos L. |
| author_facet | Marcos, Carlos L. |
| author_sort | Marcos, Carlos L. |
| collection | Directory of Open Access Books |
| description | The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. |
| format | Online |
| id | doab-20.500.12854ir-132721 |
| institution | Directory of Open Access Books |
| language | ita eng spa |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | FrancoAngeli |
| publisherStr | FrancoAngeli |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1327212025-01-19T07:53:36Z Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating Chapter Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating Marcos, Carlos L. Transitions Cross Modulate Develop Drawing Science of Representation The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. 2024-01-12T04:15:21Z 2024-01-12T04:15:21Z 2024-01-11T15:41:56Z 2023 chapter ONIX_20240111_9788835155119_171 https://library.oapen.org/handle/20.500.12657/86782 9788835155119 https://directory.doabooks.org/handle/20.500.12854/132721 ita eng spa diségno open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/86782/1/2931-2938_MARCOS.pdf https://library.oapen.org/bitstream/20.500.12657/86782/1/2931-2938_MARCOS.pdf FrancoAngeli 10.3280/oa-1016-c445 10.3280/oa-1016-c445 3b1e4403-b637-4268-a952-2280e4500b8a Transizioni = Transitions 9788835155119 7 Milan open access |
| spellingShingle | Transitions Cross Modulate Develop Drawing Science of Representation Marcos, Carlos L. Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title | Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_alt | Chapter Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_full | Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_fullStr | Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_full_unstemmed | Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_short | Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating |
| title_sort | colour as a sensible property of matter and as an expressive tool copying vs emulating |
| topic | Transitions Cross Modulate Develop Drawing Science of Representation |
| topic_facet | Transitions Cross Modulate Develop Drawing Science of Representation |
| url | ONIX_20240111_9788835155119_171 |
| work_keys_str_mv | AT marcoscarlosl colourasasensiblepropertyofmatterandasanexpressivetoolcopyingvsemulating AT marcoscarlosl chaptercolourasasensiblepropertyofmatterandasanexpressivetoolcopyingvsemulating |