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The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate sta...

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Hlavní autoři: Agnello, Fabrizio, Avella, Fabrizio, Girgenti, Gian Marco, Milone, Manuela
Médium: Online
Jazyk:italština
angličtina
španělština
Vydáno: FrancoAngeli 2024
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On-line přístup:ONIX_20240111_9788835155119_44
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author Agnello, Fabrizio
Avella, Fabrizio
Girgenti, Gian Marco
Milone, Manuela
author_browse Agnello, Fabrizio
Avella, Fabrizio
Girgenti, Gian Marco
Milone, Manuela
author_facet Agnello, Fabrizio
Avella, Fabrizio
Girgenti, Gian Marco
Milone, Manuela
author_sort Agnello, Fabrizio
collection Directory of Open Access Books
description The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
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spelling doab-20.500.12854ir-1327752025-01-23T19:27:07Z Chapter Modulare Agnello, Fabrizio Avella, Fabrizio Girgenti, Gian Marco Milone, Manuela Transitions Cross Modulate Develop Drawing Science of Representation The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. 2024-01-12T04:19:22Z 2024-01-12T04:19:22Z 2024-01-11T15:38:49Z 2023 chapter ONIX_20240111_9788835155119_44 https://library.oapen.org/handle/20.500.12657/86655 9788835155119 https://directory.doabooks.org/handle/20.500.12854/132775 ita eng spa diségno open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/86655/1/695-706_AGNELLO-et%2bal.pdf https://library.oapen.org/bitstream/20.500.12657/86655/1/695-706_AGNELLO-et%2bal.pdf FrancoAngeli 10.3280/oa-1016-c318 10.3280/oa-1016-c318 3b1e4403-b637-4268-a952-2280e4500b8a Transizioni = Transitions 9788835155119 11 Milan open access
spellingShingle Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
Agnello, Fabrizio
Avella, Fabrizio
Girgenti, Gian Marco
Milone, Manuela
Chapter Modulare
title Chapter Modulare
title_full Chapter Modulare
title_fullStr Chapter Modulare
title_full_unstemmed Chapter Modulare
title_short Chapter Modulare
title_sort chapter modulare
topic Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
topic_facet Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
url ONIX_20240111_9788835155119_44
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