Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo
The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate sta...
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| フォーマット: | Online |
| 言語: | イタリア語 英語 スペイン語 |
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FrancoAngeli
2024
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| オンライン･アクセス: | ONIX_20240111_9788835155119_55 |
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| _version_ | 1869513867315380224 |
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| author | Azzola, Pietro Cardaci, Alessio Sinani Arcienega, Jorge Felix Versaci, Antonella |
| author_browse | Azzola, Pietro Cardaci, Alessio Sinani Arcienega, Jorge Felix Versaci, Antonella |
| author_facet | Azzola, Pietro Cardaci, Alessio Sinani Arcienega, Jorge Felix Versaci, Antonella |
| author_sort | Azzola, Pietro |
| collection | Directory of Open Access Books |
| description | The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. |
| format | Online |
| id | doab-20.500.12854ir-132800 |
| institution | Directory of Open Access Books |
| language | ita eng spa |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | FrancoAngeli |
| publisherStr | FrancoAngeli |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1328002025-01-25T13:21:36Z Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo Azzola, Pietro Cardaci, Alessio Sinani Arcienega, Jorge Felix Versaci, Antonella Transitions Cross Modulate Develop Drawing Science of Representation The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. 2024-01-12T04:20:54Z 2024-01-12T04:20:54Z 2024-01-11T15:39:05Z 2023 chapter ONIX_20240111_9788835155119_55 https://library.oapen.org/handle/20.500.12657/86666 9788835155119 https://directory.doabooks.org/handle/20.500.12854/132800 ita eng spa diségno open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/86666/1/894-912_CARDACI-et%2bal.pdf https://library.oapen.org/bitstream/20.500.12657/86666/1/894-912_CARDACI-et%2bal.pdf FrancoAngeli 10.3280/oa-1016-c329 10.3280/oa-1016-c329 3b1e4403-b637-4268-a952-2280e4500b8a Transizioni = Transitions 9788835155119 18 Milan open access |
| spellingShingle | Transitions Cross Modulate Develop Drawing Science of Representation Azzola, Pietro Cardaci, Alessio Sinani Arcienega, Jorge Felix Versaci, Antonella Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title | Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title_full | Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title_fullStr | Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title_full_unstemmed | Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title_short | Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo |
| title_sort | chapter la digitalizzazione del patrimonio culturale la collezione dei lapidei del museo delle storie di bergamo |
| topic | Transitions Cross Modulate Develop Drawing Science of Representation |
| topic_facet | Transitions Cross Modulate Develop Drawing Science of Representation |
| url | ONIX_20240111_9788835155119_55 |
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