Chapter The Historical Transition of Human Body in Architecture

The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate sta...

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Principais autores: Bartolomei, Cristiana, Morganti, Caterina
Formato: Online
Idioma:Língua italiana
inglês
espanhol
Publicado em: FrancoAngeli 2024
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Acesso em linha:ONIX_20240111_9788835155119_8
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author Bartolomei, Cristiana
Morganti, Caterina
author_browse Bartolomei, Cristiana
Morganti, Caterina
author_facet Bartolomei, Cristiana
Morganti, Caterina
author_sort Bartolomei, Cristiana
collection Directory of Open Access Books
description The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
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spelling doab-20.500.12854ir-1328402025-01-28T09:26:37Z Chapter The Historical Transition of Human Body in Architecture Bartolomei, Cristiana Morganti, Caterina Transitions Cross Modulate Develop Drawing Science of Representation The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. 2024-01-12T04:23:56Z 2024-01-12T04:23:56Z 2024-01-11T15:37:55Z 2023 chapter ONIX_20240111_9788835155119_8 https://library.oapen.org/handle/20.500.12657/86619 9788835155119 https://directory.doabooks.org/handle/20.500.12854/132840 ita eng spa diségno open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/86619/1/090-096_BARTOLOMEI-MORGANTI.pdf https://library.oapen.org/bitstream/20.500.12657/86619/1/090-096_BARTOLOMEI-MORGANTI.pdf FrancoAngeli 10.3280/oa-1016-c282 10.3280/oa-1016-c282 3b1e4403-b637-4268-a952-2280e4500b8a Transizioni = Transitions 9788835155119 6 Milan open access
spellingShingle Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
Bartolomei, Cristiana
Morganti, Caterina
Chapter The Historical Transition of Human Body in Architecture
title Chapter The Historical Transition of Human Body in Architecture
title_full Chapter The Historical Transition of Human Body in Architecture
title_fullStr Chapter The Historical Transition of Human Body in Architecture
title_full_unstemmed Chapter The Historical Transition of Human Body in Architecture
title_short Chapter The Historical Transition of Human Body in Architecture
title_sort chapter the historical transition of human body in architecture
topic Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
topic_facet Transitions
Cross
Modulate
Develop
Drawing
Science of Representation
url ONIX_20240111_9788835155119_8
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