Mobile Hollywood

Contemporary film and television production is extraordinarily mobile. Filming large-scale studio productions in Atlanta, Budapest, London, Prague, or Australia’s Gold Coast makes Hollywood jobs available to people and places far removed from Southern California—but it also requires individuals to u...

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Xehetasun bibliografikoak
Egile nagusia: Sanson, Kevin
Formatua: Online
Hizkuntza:ingelesa
Argitaratua: University of California Press 2024
Gaiak:
Sarrera elektronikoa:OCN: 1393306056
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author Sanson, Kevin
author_browse Sanson, Kevin
author_facet Sanson, Kevin
author_sort Sanson, Kevin
collection Directory of Open Access Books
description Contemporary film and television production is extraordinarily mobile. Filming large-scale studio productions in Atlanta, Budapest, London, Prague, or Australia’s Gold Coast makes Hollywood jobs available to people and places far removed from Southern California—but it also requires individuals to uproot their lives as they travel around the world in pursuit of work. Drawing on interviews with a global contingent of film and television workers, Kevin Sanson weaves an analysis of the sheer scale and complexity of mobile production into a compelling account of the impact that mobility has had on job functions, working conditions, and personal lives. Mobile Hollywood captures how an expanded geography of production not only intensifies the often-invisible pressures that production workers now face but also stretches the parameters of screen-media labor far beyond craftwork and creativity. “Engagingly written and sharply observed, Kevin Sanson’s latest book—firmly grounded in the experiences of film workers themselves—is an invaluable contribution to the field.” — JADE L. MILLER, author of Nollywood Central: The Nigerian Videofilm Industry “Every course in global media, media industries, and production studies should adopt this book.” — TIMOTHY HAVENS, author of Black Television Travels: African American Media around the Globe “Persuasively encourages a major rethinking of how we understand the dynamics of transnational film and television production.” — PAUL MCDONALD, coeditor of Hollywood and the Law
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language eng
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher University of California Press
publisherStr University of California Press
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spelling doab-20.500.12854ir-1340682025-07-17T10:00:37Z Mobile Hollywood Sanson, Kevin motion picture industry; employees; social conditions; motion pictures; California; Los Angeles; production and direction thema EDItEUR::J Society and Social Sciences thema EDItEUR::J Society and Social Sciences Contemporary film and television production is extraordinarily mobile. Filming large-scale studio productions in Atlanta, Budapest, London, Prague, or Australia’s Gold Coast makes Hollywood jobs available to people and places far removed from Southern California—but it also requires individuals to uproot their lives as they travel around the world in pursuit of work. Drawing on interviews with a global contingent of film and television workers, Kevin Sanson weaves an analysis of the sheer scale and complexity of mobile production into a compelling account of the impact that mobility has had on job functions, working conditions, and personal lives. Mobile Hollywood captures how an expanded geography of production not only intensifies the often-invisible pressures that production workers now face but also stretches the parameters of screen-media labor far beyond craftwork and creativity. “Engagingly written and sharply observed, Kevin Sanson’s latest book—firmly grounded in the experiences of film workers themselves—is an invaluable contribution to the field.” — JADE L. MILLER, author of Nollywood Central: The Nigerian Videofilm Industry “Every course in global media, media industries, and production studies should adopt this book.” — TIMOTHY HAVENS, author of Black Television Travels: African American Media around the Globe “Persuasively encourages a major rethinking of how we understand the dynamics of transnational film and television production.” — PAUL MCDONALD, coeditor of Hollywood and the Law 2024-02-13T04:07:45Z 2024-02-13T04:07:45Z 2024-02-12T13:11:24Z 2024 book OCN: 1393306056 https://library.oapen.org/handle/20.500.12657/87599 9780520399006 https://directory.doabooks.org/handle/20.500.12854/134068 eng open access image/jpeg image/jpeg image/jpeg Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/87599/1/mobile-hollywood.pdf https://library.oapen.org/bitstream/20.500.12657/87599/1/mobile-hollywood.pdf https://library.oapen.org/bitstream/20.500.12657/87599/1/mobile-hollywood.pdf University of California Press 10.1525/luminos.177 10.1525/luminos.177 19856893-4bf2-4e3e-9137-c7692d64e4c1 9780520399006 243 Oakland open access
spellingShingle motion picture industry; employees; social conditions; motion pictures; California; Los Angeles; production and direction
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
Sanson, Kevin
Mobile Hollywood
title Mobile Hollywood
title_full Mobile Hollywood
title_fullStr Mobile Hollywood
title_full_unstemmed Mobile Hollywood
title_short Mobile Hollywood
title_sort mobile hollywood
topic motion picture industry; employees; social conditions; motion pictures; California; Los Angeles; production and direction
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
topic_facet motion picture industry; employees; social conditions; motion pictures; California; Los Angeles; production and direction
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
url OCN: 1393306056
work_keys_str_mv AT sansonkevin mobilehollywood