al-Farāfīr
Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Si...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Online |
| ভাষা: | ইতালিয় |
| প্রকাশিত: |
Fondazione Università Ca' Foscari
2024
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | ONIX_20240222_9788869692406_27 |
| ট্যাগগুলো: |
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| _version_ | 1869520140021792768 |
|---|---|
| author | Idrīs, Yūsuf |
| author_browse | Idrīs, Yūsuf |
| author_facet | Idrīs, Yūsuf |
| author_sort | Idrīs, Yūsuf |
| collection | Directory of Open Access Books |
| description | Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate. |
| format | Online |
| id | doab-20.500.12854ir-134427 |
| institution | Directory of Open Access Books |
| language | ita |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Fondazione Università Ca' Foscari |
| publisherStr | Fondazione Università Ca' Foscari |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1344272024-02-22T16:05:38Z al-Farāfīr Idrīs, Yūsuf Tamasruḥ,Yūsuf Idrīs,Egyptian drama,Arabic theatre Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate. 2024-02-22T16:05:36Z 2024-02-22T16:05:36Z 2018 book ONIX_20240222_9788869692406_27 2610-8909 9788869692406 9788869692543 https://directory.doabooks.org/handle/20.500.12854/134427 ita I grandi libri della letteratura araba image/png Attribution 4.0 International https://edizionicafoscari.unive.it/media/pdf/books/978-88-6969-254-3/978-88-6969-254-3_OdZbZlF.pdf Fondazione Università Ca' Foscari 10.30687/978-88-6969-240-6 Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate. 10.30687/978-88-6969-240-6 4213f1ed-14d0-44b5-91b3-3cc52df9b961 9788869692406 9788869692543 29 open access |
| spellingShingle | Tamasruḥ,Yūsuf Idrīs,Egyptian drama,Arabic theatre Idrīs, Yūsuf al-Farāfīr |
| title | al-Farāfīr |
| title_full | al-Farāfīr |
| title_fullStr | al-Farāfīr |
| title_full_unstemmed | al-Farāfīr |
| title_short | al-Farāfīr |
| title_sort | al farafir |
| topic | Tamasruḥ,Yūsuf Idrīs,Egyptian drama,Arabic theatre |
| topic_facet | Tamasruḥ,Yūsuf Idrīs,Egyptian drama,Arabic theatre |
| url | ONIX_20240222_9788869692406_27 |
| work_keys_str_mv | AT idrisyusuf alfarafir |