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Borders

This collection of essays stands as the first volume of the new Eurasiatica series entirely devoted to the vast territories of Iranian culture, understood in the widest sense possible and in an open chronological perspective. Explicitly refusing any fetishization of particularism, it contains fourte...

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Format: Online
Idioma:anglès
italià
Publicat: Fondazione Università Ca' Foscari 2024
Matèries:
Landscape,Frontier,Philosophy and Film,Kashmir,Nuristan,Avestan,Defensive moat,Grammaticalization,Pre-Islamic,Vedic,Iranian calendar,Persian language,Mughals,Talesh,Indus,Gonbad-e Kāvus,Indo-Persian,Mirrors in Movies,Sasanians,Bidel,Sino-Sogdian art,Ziyarids,Phoenix,Deccan,Ni’matullāhiyya,Other,Lucknow,Religious identity,Iranian Dialectology,Iran,Northern Iran,Qābūs ibn Wušmgīr,Bahmanī,Funerary architecture,Indo-Iranian,Qatīl,Hindu Kush,Abbas Kiarostami,Iranian Studies,Indo-Persian poetry,Shī‘a,Shi’a,Fenghuang,Arabic Dialectology,Kafiristan,Barrier,Keywords?,Loanwords,Mockery,Sayyids,Iranshahr,Masnavi,Simurgh,Photography,Interfaith,Conversion,Iranian Cinema,Kalasha,Diaspora,Gilan
Accés en línia:ONIX_20240222_9788869691003_64
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Sumari:This collection of essays stands as the first volume of the new Eurasiatica series entirely devoted to the vast territories of Iranian culture, understood in the widest sense possible and in an open chronological perspective. Explicitly refusing any fetishization of particularism, it contains fourteen studies organized in thematic pairs: a sequence of interrelated itineraries exploring several heterogeneous borderlands – from Avestan philology to film studies – starting from plural, competing and coexisting ideas of Iran.

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