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Faces of God

Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view. This book situates manuscript illustrations and album paintings within cultures of devotion an...

詳細記述

保存先:
第一著者: Mumtaz, Murad Khan
フォーマット: Online
言語:英語
出版事項: Brill 2024
主題:
book of history
cosmology
Dara Shikoh
Delhi
history
Indo-Persian
Islamicate
Jahanara Begum
Lahore
Mughal
Mughal art
Mughal Art History
Persian
Persianate
Shah Jahan
South Asia
Sufism
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGR Religious and ceremonial art
thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRP Islam::QRPB Islam: branches and groups::QRPB4 Islamic groups: Sufis
thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVK Spirituality and religious experience::QRVK2 Mysticism
thema EDItEUR::1 Place qualifiers::1F Asia::1FK South Asia (Indian sub-continent)
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
オンライン･アクセス:ONIX_20240223_9789004549449_4
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要約:Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view. This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah. Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.

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