Chapter 9 The language of emotions from Descartes to Metastasio
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between ins...
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| Format: | Online |
| Language: | English |
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Taylor & Francis
2024
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| Online Access: | https://library.oapen.org/handle/20.500.12657/88121 |
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| author | Torrente, Álvaro Dominguez Rodriguez, Jose Maria |
| author_browse | Dominguez Rodriguez, Jose Maria Torrente, Álvaro |
| author_facet | Torrente, Álvaro Dominguez Rodriguez, Jose Maria |
| author_sort | Torrente, Álvaro |
| collection | Directory of Open Access Books |
| description | This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.
Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context.
Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. |
| format | Online |
| id | doab-20.500.12854ir-135079 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1350792025-05-09T11:47:45Z Chapter 9 The language of emotions from Descartes to Metastasio Torrente, Álvaro Dominguez Rodriguez, Jose Maria Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. 2024-03-07T04:28:41Z 2024-03-07T04:28:41Z 2024-03-04T13:01:51Z 2024 chapter https://library.oapen.org/handle/20.500.12657/88121 9781032025940 9781032106656 https://directory.doabooks.org/handle/20.500.12854/135079 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/88121/1/9781003311690_10.4324_9781003311690-12.pdf https://library.oapen.org/bitstream/20.500.12657/88121/1/9781003311690_10.4324_9781003311690-12.pdf https://library.oapen.org/bitstream/20.500.12657/88121/1/9781003311690_10.4324_9781003311690-12.pdf https://library.oapen.org/bitstream/20.500.12657/88121/1/9781003311690_10.4324_9781003311690-12.pdf Taylor & Francis Routledge 10.4324/9781003311690-12 10.4324/9781003311690-12 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Cognate Music Theories European Research Council (ERC) 6a044850-f30f-4ed8-a4a5-8b5b4c45af59 9781032025940 9781032106656 European Research Council (ERC) EU collection Routledge 36 788986 open access |
| spellingShingle | Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music Torrente, Álvaro Dominguez Rodriguez, Jose Maria Chapter 9 The language of emotions from Descartes to Metastasio |
| title | Chapter 9 The language of emotions from Descartes to Metastasio |
| title_full | Chapter 9 The language of emotions from Descartes to Metastasio |
| title_fullStr | Chapter 9 The language of emotions from Descartes to Metastasio |
| title_full_unstemmed | Chapter 9 The language of emotions from Descartes to Metastasio |
| title_short | Chapter 9 The language of emotions from Descartes to Metastasio |
| title_sort | chapter 9 the language of emotions from descartes to metastasio |
| topic | Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music |
| topic_facet | Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music |
| url | https://library.oapen.org/handle/20.500.12657/88121 |
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