Inszenierung und Wirklichkeit
With the painting The Wind Bride (1914, see cover), the painter Oskar Kokoschka (1886-1980) depicted the climax of his amorous relationship with Alma Mahler. The amour fou ended in disappointment, which manifested itself in a symbolic overpainting - the psychologically positive red gave way to a coo...
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| Μορφή: | Online |
| Γλώσσα: | Γερμανικά |
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Tübingen University Press
2024
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| Διαθέσιμο Online: | ONIX_20240321_9783947251032_3 |
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| _version_ | 1869527502343372800 |
|---|---|
| author | Rieger, Bernd W. |
| author_browse | Rieger, Bernd W. |
| author_facet | Rieger, Bernd W. |
| author_sort | Rieger, Bernd W. |
| collection | Directory of Open Access Books |
| description | With the painting The Wind Bride (1914, see cover), the painter Oskar Kokoschka (1886-1980) depicted the climax of his amorous relationship with Alma Mahler. The amour fou ended in disappointment, which manifested itself in a symbolic overpainting - the psychologically positive red gave way to a cool blue. In Kokoschka's case, the urge for self-expression within the framework of a clearly defined artist's image began at the age of 22. He created this image in an economically determined manner, which became an artistic myth throughout his life through the blending of fantasy stories and lived experience and still determines and often falsifies the interpretation of his works from the Expressionist phase today. In his stories and lectures, reality and self-presentation were transfigured into an artistic myth to which the scientific and art-historical biography succumbed. Only recently have art historians tended to interpret the artist in terms of marketing strategy. In Kokoschka's case, it was not gaps in his memory or cognitive illusions that formed his artistic myth - it was the deliberate, all-encompassing staging. |
| format | Online |
| id | doab-20.500.12854ir-135832 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Tübingen University Press |
| publisherStr | Tübingen University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1358322024-03-23T21:36:29Z Inszenierung und Wirklichkeit Rieger, Bernd W. Karl Kraus Expressionismus Modernism Vienna Turn of the century Fin de siècle Art market Scandal Marketing Self-promotion Double talent Avant-garde thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 With the painting The Wind Bride (1914, see cover), the painter Oskar Kokoschka (1886-1980) depicted the climax of his amorous relationship with Alma Mahler. The amour fou ended in disappointment, which manifested itself in a symbolic overpainting - the psychologically positive red gave way to a cool blue. In Kokoschka's case, the urge for self-expression within the framework of a clearly defined artist's image began at the age of 22. He created this image in an economically determined manner, which became an artistic myth throughout his life through the blending of fantasy stories and lived experience and still determines and often falsifies the interpretation of his works from the Expressionist phase today. In his stories and lectures, reality and self-presentation were transfigured into an artistic myth to which the scientific and art-historical biography succumbed. Only recently have art historians tended to interpret the artist in terms of marketing strategy. In Kokoschka's case, it was not gaps in his memory or cognitive illusions that formed his artistic myth - it was the deliberate, all-encompassing staging. 2024-03-21T07:52:37Z 2024-03-21T07:52:37Z 2018 book ONIX_20240321_9783947251032_3 9783947251032 https://directory.doabooks.org/handle/20.500.12854/135832 ger image/jpeg n/a http://hdl.handle.net/10900/84600 Tübingen University Press 10.15496/publikation-25990 With the painting The Wind Bride (1914, see cover), the painter Oskar Kokoschka (1886-1980) depicted the climax of his amorous relationship with Alma Mahler. The amour fou ended in disappointment, which manifested itself in a symbolic overpainting - the psychologically positive red gave way to a cool blue. In Kokoschka's case, the urge for self-expression within the framework of a clearly defined artist's image began at the age of 22. He created this image in an economically determined manner, which became an artistic myth throughout his life through the blending of fantasy stories and lived experience and still determines and often falsifies the interpretation of his works from the Expressionist phase today. In his stories and lectures, reality and self-presentation were transfigured into an artistic myth to which the scientific and art-historical biography succumbed. Only recently have art historians tended to interpret the artist in terms of marketing strategy. In Kokoschka's case, it was not gaps in his memory or cognitive illusions that formed his artistic myth - it was the deliberate, all-encompassing staging. 10.15496/publikation-25990 28af0064-9575-4368-9692-69ce53023f52 9783947251032 518 Tübingen open access |
| spellingShingle | Karl Kraus Expressionismus Modernism Vienna Turn of the century Fin de siècle Art market Scandal Marketing Self-promotion Double talent Avant-garde thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 Rieger, Bernd W. Inszenierung und Wirklichkeit |
| title | Inszenierung und Wirklichkeit |
| title_full | Inszenierung und Wirklichkeit |
| title_fullStr | Inszenierung und Wirklichkeit |
| title_full_unstemmed | Inszenierung und Wirklichkeit |
| title_short | Inszenierung und Wirklichkeit |
| title_sort | inszenierung und wirklichkeit |
| topic | Karl Kraus Expressionismus Modernism Vienna Turn of the century Fin de siècle Art market Scandal Marketing Self-promotion Double talent Avant-garde thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 |
| topic_facet | Karl Kraus Expressionismus Modernism Vienna Turn of the century Fin de siècle Art market Scandal Marketing Self-promotion Double talent Avant-garde thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 |
| url | ONIX_20240321_9783947251032_3 |
| work_keys_str_mv | AT riegerberndw inszenierungundwirklichkeit |