Buchumschlag

Accidental Archivism

In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly...

Ausführliche Beschreibung

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Hauptverfasser: Agina, Añulika, Alipanah, Hadi, Babić, Gaby, Balatbat-Helbock, Lynhan, Balsom, Erika, Beckmann, Marie Sophie, Bernien, Mareike, Biswas, Amrita, Çakmak, Sema, Campanini, Sonia, Carter, Erica, Çelikaslan, Özge, César, Filipa, Cheeka, Didi, Davis, Vaginal, Dutta, Madhusree, El Said, Tamer, Escobar López, Almudena, Glazunova, Mariia, Gregor, Ulrich, Goncharuk, Olena, Gramann, Karola, Hariharan, Veena, Hassan, Mohammad Shawky, Heredia, Shai, Hering, Tobias, Ingravalle, Grazia, Kaushik, Ritika, Keidl, Philipp Dominik, Pratiwi, Julita, Rahman, Lisabona, Khitsinska, Ivanna, Kim, Hieyoon, Kloeckner, Laura, Kröger, Merle, Makarevic, Asja, Meyn, Nils, Ndaliko Katondolo, Petna, Ohene-Asah, Rebecca, Pantenburg, Volker, Perneczky, Nikolaus, Pitassio, Francesco, Ruhm, Constanze, Schlüpmann, Heide, Schneider, Alexandra, Shambu, Girish, Siegel, Marc, Sungu, Can, Thieme, Clarissa, Turajlić, Mila, Vasudevan, Ravi, Venturini, Simone, Younis, Ala
Format: Online
Sprache:Englisch
Veröffentlicht: meson press 2024
Schlagworte:
activism
pandemic
cinema
digitality
archivism
media ecology
repositories
bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GL Library & information sciences::GLC Library, archive & information management
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
Online-Zugang:ONIX_20240321_9783957960542_9
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Zusammenfassung:In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.

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