Chapter 11 The Queen Consort in Castile and Portugal

This chapter argues that to fulfil the interests of both the spouses and their original family, Maria projected herself as a Castilian infanta while Leonor built up the image of an Aragonese princess. The construction of the political identity of queens consort was a long and complex process, paramou...

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Kaituhi matua:	Rodrigues, Ana Maria S.A.
Hōputu:	Online
Reo:	Ingarihi
I whakaputaina:	Taylor & Francis 2024
Ngā marau:	material culture; Visual culture; political identity; diverse political identities; sponsorship; Spanish Empire; religion; myth; protestant; festivals; Portuguese Empire; queen; ideology; space; Gender; Piety; saints; princess; ladies-in-waiting; funerary sculpture; devotion; Spectatorship; Iconography; dress; catholic; visual culture; religious paintings; Iberian women thema EDItEUR::N History and Archaeology::NH History::NHB General and world history thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
Urunga tuihono:	https://library.oapen.org/handle/20.500.12657/88755
Ngā Tūtohu:	Tāpirihia he Tūtohu Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!