Chopin

The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights into Chopin’s composition method. These intertextual findings are used in an attem...

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Autore principale: Edlund, Bengt
Natura: Online
Lingua:inglese
Pubblicazione: Peter Lang International Academic Publishers 2024
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Accesso online:ONIX_20240410_9783653035421_2
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author Edlund, Bengt
author_browse Edlund, Bengt
author_facet Edlund, Bengt
author_sort Edlund, Bengt
collection Directory of Open Access Books
description The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights into Chopin’s composition method. These intertextual findings are used in an attempt to establish the extra-musical content of the Second Ballade. Five preludes – A minor, E minor, B minor, A major and C minor – are closely examined, using diverse analytical approaches. A primary concern is to critically assess previous readings, and Schenkerian ones in particular. An analysis of the initial right-hand passage of the F-minor étude from Méthode brings up matters of idiomatic and ontology.
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spelling doab-20.500.12854ir-1363672025-07-18T09:46:56Z Chopin Edlund, Bengt Bengt Chopin Dies Irae Edlund Intertextuality Preludes Schenkerian analysis: Idiomatik Second Ballade thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights into Chopin’s composition method. These intertextual findings are used in an attempt to establish the extra-musical content of the Second Ballade. Five preludes – A minor, E minor, B minor, A major and C minor – are closely examined, using diverse analytical approaches. A primary concern is to critically assess previous readings, and Schenkerian ones in particular. An analysis of the initial right-hand passage of the F-minor étude from Méthode brings up matters of idiomatic and ontology. 2024-04-11T05:01:11Z 2024-04-11T05:01:11Z 2024-04-10T08:27:15Z 2014 book ONIX_20240410_9783653035421_2 OCN: 891396839 https://library.oapen.org/handle/20.500.12657/89760 9783653035421 9783631645208 https://directory.doabooks.org/handle/20.500.12854/136367 eng open access image/png image/jpeg image/jpeg n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/89760/1/9783653035421.pdf https://library.oapen.org/bitstream/20.500.12657/89760/1/9783653035421.pdf https://library.oapen.org/bitstream/20.500.12657/89760/1/9783653035421.pdf Peter Lang International Academic Publishers 10.3726/978-3-653-03542-1 10.3726/978-3-653-03542-1 44a712f0-ee17-4c08-a667-46effed595e7 9783653035421 9783631645208 532 Bern open access
spellingShingle Bengt
Chopin
Dies Irae
Edlund
Intertextuality
Preludes
Schenkerian analysis: Idiomatik
Second Ballade
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
Edlund, Bengt
Chopin
title Chopin
title_full Chopin
title_fullStr Chopin
title_full_unstemmed Chopin
title_short Chopin
title_sort chopin
topic Bengt
Chopin
Dies Irae
Edlund
Intertextuality
Preludes
Schenkerian analysis: Idiomatik
Second Ballade
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
topic_facet Bengt
Chopin
Dies Irae
Edlund
Intertextuality
Preludes
Schenkerian analysis: Idiomatik
Second Ballade
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
url ONIX_20240410_9783653035421_2
work_keys_str_mv AT edlundbengt chopin