Nazi-Era Provenance of Museum Collections

When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum co...

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Main Author: Schuhmacher, Jacques
Format: Online
Language:English
Published: UCL Press 2024
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Online Access:https://library.oapen.org/handle/20.500.12657/90016
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author Schuhmacher, Jacques
author_browse Schuhmacher, Jacques
author_facet Schuhmacher, Jacques
author_sort Schuhmacher, Jacques
collection Directory of Open Access Books
description When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
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spelling doab-20.500.12854ir-1365502025-07-18T09:47:00Z Nazi-Era Provenance of Museum Collections Schuhmacher, Jacques Provenance research;Restitution;Museums;Art collections;Jewish art collectors;Holocaust;Looted Art;Nazi-era provenance research;Holocaust-era provenance research;Contested heritage thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters 2024-04-24T04:05:51Z 2024-04-24T04:05:51Z 2024-04-23T12:06:31Z 2024 book https://library.oapen.org/handle/20.500.12657/90016 9781800086906 9781800086913 9781800086920 9781787351400 9781787354593 9781800082984 9781800085701 https://directory.doabooks.org/handle/20.500.12854/136550 eng Co-published with V&A open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/90016/1/9781800086890.pdf https://library.oapen.org/bitstream/20.500.12657/90016/1/9781800086890.pdf https://library.oapen.org/bitstream/20.500.12657/90016/1/9781800086890.pdf UCL Press 10.14324/111.9781800086890 10.14324/111.9781800086890 29b9f0a3-1b0d-4bdd-99d7-b4d3432d7fcc 9781800086906 9781800086913 9781800086920 9781787351400 9781787354593 9781800082984 9781800085701 196 London open access
spellingShingle Provenance research;Restitution;Museums;Art collections;Jewish art collectors;Holocaust;Looted Art;Nazi-era provenance research;Holocaust-era provenance research;Contested heritage
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
Schuhmacher, Jacques
Nazi-Era Provenance of Museum Collections
title Nazi-Era Provenance of Museum Collections
title_full Nazi-Era Provenance of Museum Collections
title_fullStr Nazi-Era Provenance of Museum Collections
title_full_unstemmed Nazi-Era Provenance of Museum Collections
title_short Nazi-Era Provenance of Museum Collections
title_sort nazi era provenance of museum collections
topic Provenance research;Restitution;Museums;Art collections;Jewish art collectors;Holocaust;Looted Art;Nazi-era provenance research;Holocaust-era provenance research;Contested heritage
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
topic_facet Provenance research;Restitution;Museums;Art collections;Jewish art collectors;Holocaust;Looted Art;Nazi-era provenance research;Holocaust-era provenance research;Contested heritage
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
url https://library.oapen.org/handle/20.500.12657/90016
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