Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок
Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer...
Tallennettuna:
| Päätekijä: | |
|---|---|
| Aineistotyyppi: | Online |
| Kieli: | venäjä |
| Julkaistu: |
Firenze University Press
2024
|
| Aiheet: | |
| Linkit: | ONIX_20240402_9791221502381_217 |
| Tagit: |
Ei tageja, Lisää ensimmäinen tagi!
|
| _version_ | 1869521878908928000 |
|---|---|
| author | Murata, Shin’ichi |
| author_browse | Murata, Shin’ichi |
| author_facet | Murata, Shin’ichi |
| author_sort | Murata, Shin’ichi |
| collection | Directory of Open Access Books |
| description | Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared. |
| format | Online |
| id | doab-20.500.12854ir-136794 |
| institution | Directory of Open Access Books |
| language | rus |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Firenze University Press |
| publisherStr | Firenze University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1367942024-05-08T20:55:48Z Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок Murata, Shin’ichi Chekhov’s reception Perception of theatrical art live sound stage sound shift technique thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared. 2024-05-08T20:55:45Z 2024-05-08T20:55:45Z 2024-04-02T15:50:49Z 2023 chapter ONIX_20240402_9791221502381_217 2612-7679 https://library.oapen.org/handle/20.500.12657/89248 9791221502381 https://directory.doabooks.org/handle/20.500.12854/136794 rus Biblioteca di Studi Slavistici open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/89248/1/9791221502381_06.pdf Firenze University Press 10.36253/979-12-215-0238-1.06 10.36253/979-12-215-0238-1.06 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9791221502381 17 Florence open access |
| spellingShingle | Chekhov’s reception Perception of theatrical art live sound stage sound shift technique thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Murata, Shin’ichi Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title | Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title_full | Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title_fullStr | Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title_full_unstemmed | Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title_short | Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| title_sort | chapter слушая сад переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок |
| topic | Chekhov’s reception Perception of theatrical art live sound stage sound shift technique thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| topic_facet | Chekhov’s reception Perception of theatrical art live sound stage sound shift technique thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| url | ONIX_20240402_9791221502381_217 |
| work_keys_str_mv | AT muratashinichi chapterslušaâsadpereosmysleniezvukovyhaspektovčehovskojpʹesynaprimereâponskojiitalʹânskojpostanovok |