Dancing with the Modernist City

As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke...

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Hovedforfatter: Lim, Wesley
Format: Online
Sprog:engelsk
Udgivet: University of Michigan Press 2024
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Online adgang:https://library.oapen.org/handle/20.500.12657/90806
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author Lim, Wesley
author_browse Lim, Wesley
author_facet Lim, Wesley
author_sort Lim, Wesley
collection Directory of Open Access Books
description As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke, August Endell, Alfred Döblin, Else Lasker-Schüler, Segundo de Chomón, and the brothers Max and Emil Skladanowsky. In their writing and artistic work from that period, they depicted the perpetual influx of stimuli caused by urban life—including hordes of pedestrians, bustling traffic, and a barrage of advertisements—as well as how these encounters repeatedly paralleled their experiences of watching early twentieth-century dance performances by Loïe Fuller, Ruth St. Denis, and Vaslav Nijinsky. The convergence these writers and filmmakers saw between the unexpected encounters during their urban strolls and experimental dance performances led to writings that interwove the two motifs. Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance.
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spelling doab-20.500.12854ir-1387152025-07-18T09:46:06Z Dancing with the Modernist City Lim, Wesley dance, modernism, city, urban, Berlin, Paris, posthumanism, space, Rainer Maria Rilke, Alfred Döblin, August Endell, Else Lasker-Schüler, Harry Graf Kessler, Segundo de Chomón, Max Skladanowsky, Emil Skladanowsky, queerness, interpenetration, interweaving, early film, 1900, Fin de siècle, performance thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHB General and world history thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHB General and world history As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke, August Endell, Alfred Döblin, Else Lasker-Schüler, Segundo de Chomón, and the brothers Max and Emil Skladanowsky. In their writing and artistic work from that period, they depicted the perpetual influx of stimuli caused by urban life—including hordes of pedestrians, bustling traffic, and a barrage of advertisements—as well as how these encounters repeatedly paralleled their experiences of watching early twentieth-century dance performances by Loïe Fuller, Ruth St. Denis, and Vaslav Nijinsky. The convergence these writers and filmmakers saw between the unexpected encounters during their urban strolls and experimental dance performances led to writings that interwove the two motifs. Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance. 2024-06-07T04:06:50Z 2024-06-07T04:06:50Z 2024-06-06T12:14:49Z 2024 book https://library.oapen.org/handle/20.500.12657/90806 9780472133307 9780472039692 9780472220854 https://directory.doabooks.org/handle/20.500.12854/138715 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/90806/1/9780472904563.pdf https://library.oapen.org/bitstream/20.500.12657/90806/1/9780472904563.pdf https://library.oapen.org/bitstream/20.500.12657/90806/1/9780472904563.pdf University of Michigan Press 10.3998/mpub.11571914 10.3998/mpub.11571914 b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472133307 9780472039692 9780472220854 325 open access
spellingShingle dance, modernism, city, urban, Berlin, Paris, posthumanism, space, Rainer Maria Rilke, Alfred Döblin, August Endell, Else Lasker-Schüler, Harry Graf Kessler, Segundo de Chomón, Max Skladanowsky, Emil Skladanowsky, queerness, interpenetration, interweaving, early film, 1900, Fin de siècle, performance
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
Lim, Wesley
Dancing with the Modernist City
title Dancing with the Modernist City
title_full Dancing with the Modernist City
title_fullStr Dancing with the Modernist City
title_full_unstemmed Dancing with the Modernist City
title_short Dancing with the Modernist City
title_sort dancing with the modernist city
topic dance, modernism, city, urban, Berlin, Paris, posthumanism, space, Rainer Maria Rilke, Alfred Döblin, August Endell, Else Lasker-Schüler, Harry Graf Kessler, Segundo de Chomón, Max Skladanowsky, Emil Skladanowsky, queerness, interpenetration, interweaving, early film, 1900, Fin de siècle, performance
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
topic_facet dance, modernism, city, urban, Berlin, Paris, posthumanism, space, Rainer Maria Rilke, Alfred Döblin, August Endell, Else Lasker-Schüler, Harry Graf Kessler, Segundo de Chomón, Max Skladanowsky, Emil Skladanowsky, queerness, interpenetration, interweaving, early film, 1900, Fin de siècle, performance
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
url https://library.oapen.org/handle/20.500.12657/90806
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