Tracks on the Trail

From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, c...

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Huvudupphov: Gorzelany-Mostak, Dana
Materialtyp: Online
Språk:engelska
Utgiven: University of Michigan Press 2024
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author Gorzelany-Mostak, Dana
author_browse Gorzelany-Mostak, Dana
author_facet Gorzelany-Mostak, Dana
author_sort Gorzelany-Mostak, Dana
collection Directory of Open Access Books
description From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates? With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
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spelling doab-20.500.12854ir-1387502025-07-18T09:46:06Z Tracks on the Trail Gorzelany-Mostak, Dana political elections, united states government, United States politics, presidential elections, music, popular music, African American, Black, Whiteness, political campaigns, campaigning, jazz music, rap music thema EDItEUR::A The Arts::AV Music thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage thema EDItEUR::A The Arts::AV Music thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates? With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes. 2024-06-12T04:01:24Z 2024-06-12T04:01:24Z 2024-06-11T10:19:20Z 2023 book https://library.oapen.org/handle/20.500.12657/90835 9780472076161 9780472056163 https://directory.doabooks.org/handle/20.500.12854/138750 eng Tracking Pop open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/90835/1/9780472903504.pdf https://library.oapen.org/bitstream/20.500.12657/90835/1/9780472903504.pdf University of Michigan Press 10.3998/mpub.12654659 10.3998/mpub.12654659 b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472076161 9780472056163 227 open access
spellingShingle political elections, united states government, United States politics, presidential elections, music, popular music, African American, Black, Whiteness, political campaigns, campaigning, jazz music, rap music
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
Gorzelany-Mostak, Dana
Tracks on the Trail
title Tracks on the Trail
title_full Tracks on the Trail
title_fullStr Tracks on the Trail
title_full_unstemmed Tracks on the Trail
title_short Tracks on the Trail
title_sort tracks on the trail
topic political elections, united states government, United States politics, presidential elections, music, popular music, African American, Black, Whiteness, political campaigns, campaigning, jazz music, rap music
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
topic_facet political elections, united states government, United States politics, presidential elections, music, popular music, African American, Black, Whiteness, political campaigns, campaigning, jazz music, rap music
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHF Elections and referenda / suffrage
url https://library.oapen.org/handle/20.500.12657/90835
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