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Digital images have been under suspicion of manipulation not just since the discussions about "deepfakes" and generative AI. While in the 1990s any digital image evidence seemed questionable, pragmatic answers have since prevailed. Whether and how digital images have actually been manipulated can in...

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Enregistré dans:
Format: Online
Langue:allemand
Publié: De Gruyter 2024
Sujets:
Image theory
visual studies
digital images
forensics
photography.
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
thema EDItEUR::A The Arts::AJ Photography and photographs
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
Accès en ligne:ONIX_20240625_9783111085692_32
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Résumé:Digital images have been under suspicion of manipulation not just since the discussions about "deepfakes" and generative AI. While in the 1990s any digital image evidence seemed questionable, pragmatic answers have since prevailed. Whether and how digital images have actually been manipulated can in many cases be proven by using methods of image analysis and comparative data evaluation. Such practices of image forensics are the focus of this volume. A look at scientific as well as aesthetic procedures, at criminalistic methods, popular television series and artistic practices shows how suspicion towards images itself becomes productive: It not only produces new images, but also a new processual understanding of digital imagery.

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