I Know You Are, but What Am I?
How Pee-wee and his playhouse help us reimagine our relationships to technologyI Know You Are, but What Am I? explores the cultural legacy of Pee-wee Herman, the cult television star of Pee-wee’s Playhouse. This children’s show—that was also for adults—ran on network TV from 1986 to 1990 and starred...
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| Հիմնական հեղինակ: | |
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| Ձևաչափ: | Online |
| Լեզու: | անգլերեն |
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University of Minnesota Press
2024
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| Խորագրեր: | |
| Առցանց հասանելիություն: | ONIX_20240702_9781452972039_3 |
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Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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| Ամփոփում: | How Pee-wee and his playhouse help us reimagine our relationships to technologyI Know You Are, but What Am I? explores the cultural legacy of Pee-wee Herman, the cult television star of Pee-wee’s Playhouse. This children’s show—that was also for adults—ran on network TV from 1986 to 1990 and starred comedian Paul Reubens as Herman, a queer man-boy whose playhouse, the set for the show, was tricked out with a profusion of animate computational toys and technologies. Cait McKinney shows how three defining scenes from the show inform, and even foretell and challenge, our present moment: the playhouse as an alternative precursor to networked smart homes that foregrounds caring and ethical relationships between humans and technologies; a reparative retelling of Reubens’s career-wrecking 1991 arrest for indecent exposure inside a Florida adult film theater as part of an AIDS-phobic, antigay sting operation; and worn-out, Talking Pee-wee dolls and their broken afterlives on eBay and YouTube. McKinney looks at how queer people who were children in the 1980s remember and relate to Pee-wee now, showing that the moral panic about sexuality, gender, and children from the past can help us refute anti-trans and anti-queer political movements organized today. |
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