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Literarische Formen des Erinnerns

The contributions in the volume follow the path of a “rhetoric of memory” in its various forms in the area of tension between canonization and decanonization as well as disruption and stabilization. The fundamental premise is that in the form of literary-narrative productions, individual and generat...

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Guardat en:
Format: Online
Idioma:alemany
Publicat: De Gruyter 2024
Matèries:
culture of remembrance
collective memory
thema EDItEUR::1 Place qualifiers::1D Europe::1DF Central Europe::1DFG Germany
thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACG German
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
Accés en línia:ONIX_20240711_9783111267777_20
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Sumari:The contributions in the volume follow the path of a “rhetoric of memory” in its various forms in the area of tension between canonization and decanonization as well as disruption and stabilization. The fundamental premise is that in the form of literary-narrative productions, individual and generation-specific memories are made available for collective memory and thus become observable. The texts selected for analysis deal thematically with the remembered traumas of the First and Second World Wars; generation-specific experiences, especially of the GDR and the reunification and post-reunification periods, as well as migration experiences in general. The subject of the study are texts by well-known writers such as Jan Koneffke, Zoltán Dany, Michael Niavaranis, Jakob Hein, Steffen Kopetzky, Annett Gröschner, André Kubiczek, Manja Präkels, Robert Menasse, Verena Boos, Assia Djebar, Christoph Hein, Saša Stanišić and Georg Kreisler.

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