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The Making of Modern Subjects

In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first...

詳細記述

保存先:
第一著者: Gang, Sung Un
フォーマット: Online
言語:英語
出版事項: transcript Verlag 2024
主題:
Media
Discourse
Spectatorship
Korea
Intersectionality
Gender
Theatre
Cultural History
Theatre Studies
Asian History
Gender History
Asia
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::N History and Archaeology::NH History::NHF Asian history
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
オンライン･アクセス:ONIX_20240716_9783839469293_26
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要約:In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first extensive study of Korean female spectators in the colonial era, he analyzes newspapers, magazines, fictions, and images, arguing that public discourse aimed to mold them into a male-driven and top-down modernization project. Through a meticulous examination of historical sources, this study reconceptualizes colonial Korean female spectators as diverse, active agents with their own politics who played a crucial role in shaping colonial publicness.

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