Chinese Film in the Twenty-First Century
This book examines Chinese film in the twenty-first century. Organized around the themes "movements,"genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film ge...
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| Format: | Online |
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| Idioma: | anglès |
| Publicat: |
Taylor & Francis
2024
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| Accés en línia: | https://library.oapen.org/handle/20.500.12657/92573 |
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| collection | Directory of Open Access Books |
| description | This book examines Chinese film in the twenty-first century. Organized around the themes "movements,"genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves, and discusses current shifts in documentary filmmaking, the ethos and practices of ""grassroots intellectual"" independent filmmakers, and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition, the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema’s relation to other media forms, including folktales, moving image installations, architecture, and painting. Throughout, the book assesses how Chinese films have been conceptualized, examined, and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film, thus highlighting the plurality, vitality, and hybridity of Chinese cinema in the twenty-first century.
Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
| format | Online |
| id | doab-20.500.12854ir-142738 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1427382025-07-21T15:45:17Z Chinese Film in the Twenty-First Century Schultz, Corey Kai Nelson Antakly de Mello, Cecília chinese film,twenty first century,cinema,chinese cinema,intermedia,Chinese Film,Jia Zhangke,Long Shots,Wu Wenguang,Jia Zhangke’s Films,Chinese Animation,Mainland Film,Young Man,Chinese Film Scholarship,Wang Xiaoshuai,Chinese Documentary Film Movement,Black Cannon Incident,Great Famine,Chinese Documentary,White Snake,Xie Yi,Chinese Film Studies,Chinese Film Industry,Yi Jing,Nottingham Ningbo China,Traditional Chinese Painting,Duan Jinchuan,Film Noir,Cel Animation,Contemporary Animation thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies This book examines Chinese film in the twenty-first century. Organized around the themes "movements,"genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves, and discusses current shifts in documentary filmmaking, the ethos and practices of ""grassroots intellectual"" independent filmmakers, and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition, the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema’s relation to other media forms, including folktales, moving image installations, architecture, and painting. Throughout, the book assesses how Chinese films have been conceptualized, examined, and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film, thus highlighting the plurality, vitality, and hybridity of Chinese cinema in the twenty-first century. Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 2024-08-06T04:21:50Z 2024-08-06T04:21:50Z 2024-08-05T13:19:34Z 2024 book https://library.oapen.org/handle/20.500.12657/92573 9781003371694 9781032443379 9781032443430 https://directory.doabooks.org/handle/20.500.12854/142738 eng Communicating China open access Taylor & Francis Routledge 10.4324/9781003371694 10.4324/9781003371694 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Chapter 10 The World and Beijing World Park 9781003371694 9781032443379 9781032443430 Routledge open access |
| spellingShingle | chinese film,twenty first century,cinema,chinese cinema,intermedia,Chinese Film,Jia Zhangke,Long Shots,Wu Wenguang,Jia Zhangke’s Films,Chinese Animation,Mainland Film,Young Man,Chinese Film Scholarship,Wang Xiaoshuai,Chinese Documentary Film Movement,Black Cannon Incident,Great Famine,Chinese Documentary,White Snake,Xie Yi,Chinese Film Studies,Chinese Film Industry,Yi Jing,Nottingham Ningbo China,Traditional Chinese Painting,Duan Jinchuan,Film Noir,Cel Animation,Contemporary Animation thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies Chinese Film in the Twenty-First Century |
| title | Chinese Film in the Twenty-First Century |
| title_full | Chinese Film in the Twenty-First Century |
| title_fullStr | Chinese Film in the Twenty-First Century |
| title_full_unstemmed | Chinese Film in the Twenty-First Century |
| title_short | Chinese Film in the Twenty-First Century |
| title_sort | chinese film in the twenty first century |
| topic | chinese film,twenty first century,cinema,chinese cinema,intermedia,Chinese Film,Jia Zhangke,Long Shots,Wu Wenguang,Jia Zhangke’s Films,Chinese Animation,Mainland Film,Young Man,Chinese Film Scholarship,Wang Xiaoshuai,Chinese Documentary Film Movement,Black Cannon Incident,Great Famine,Chinese Documentary,White Snake,Xie Yi,Chinese Film Studies,Chinese Film Industry,Yi Jing,Nottingham Ningbo China,Traditional Chinese Painting,Duan Jinchuan,Film Noir,Cel Animation,Contemporary Animation thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies |
| topic_facet | chinese film,twenty first century,cinema,chinese cinema,intermedia,Chinese Film,Jia Zhangke,Long Shots,Wu Wenguang,Jia Zhangke’s Films,Chinese Animation,Mainland Film,Young Man,Chinese Film Scholarship,Wang Xiaoshuai,Chinese Documentary Film Movement,Black Cannon Incident,Great Famine,Chinese Documentary,White Snake,Xie Yi,Chinese Film Studies,Chinese Film Industry,Yi Jing,Nottingham Ningbo China,Traditional Chinese Painting,Duan Jinchuan,Film Noir,Cel Animation,Contemporary Animation thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies |
| url | https://library.oapen.org/handle/20.500.12657/92573 |