صورة الغلاف

Theatre in Handwriting

In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study pr...

وصف كامل

محفوظ في:
المؤلفون الرئيسيون: Schäfer, Martin Jörg, Weinstock, Alexander
التنسيق: Online
اللغة:الإنجليزية
منشور في: transcript Verlag 2024
الموضوعات:
Theatre
Literature
Manuscripts
Hamburg
Germany
Cultural History
Theatre Studies
Literary Studies
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
الوصول للمادة أونلاين:ONIX_20240808_9783839469651_11
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الملخص:In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.

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