Ernst Kurth und Sergej Taneev
The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous m...
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| Formaat: | Online |
| Taal: | Duits |
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Heidelberg University Publishing (heiUP)
2024
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| Online toegang: | https://library.oapen.org/handle/20.500.12657/92635 |
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| _version_ | 1869531463282589696 |
|---|---|
| author | Binder, Max |
| author_browse | Binder, Max |
| author_facet | Binder, Max |
| author_sort | Binder, Max |
| collection | Directory of Open Access Books |
| description | The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous musicians of the time. Although concerning the same subject, both theories show fundamental differences, in music-theoretical as well as in music-aesthetic respect. It turns out that these different philosophies are reflected in numerous works by composers such as Ernst Křenek, Artur Schnabel, Alexander Scriabin and Nikolaj Metner. |
| format | Online |
| id | doab-20.500.12854ir-142823 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Heidelberg University Publishing (heiUP) |
| publisherStr | Heidelberg University Publishing (heiUP) |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1428232025-07-21T15:45:23Z Ernst Kurth und Sergej Taneev Binder, Max Composition; Musicology; Music theory; Counterpoint; Comparative analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous musicians of the time. Although concerning the same subject, both theories show fundamental differences, in music-theoretical as well as in music-aesthetic respect. It turns out that these different philosophies are reflected in numerous works by composers such as Ernst Křenek, Artur Schnabel, Alexander Scriabin and Nikolaj Metner. Das Aufkommen linearer Strömungen zu Beginn des 20. Jahrhunderts stellt ein bemerkenswertes und bislang wenig beschriebenes Phänomen der Musikgeschichte dar. Zwei Hauptprotagonisten waren Ernst Kurth (Bern) und Sergej Taneev (Moskau), deren Kontrapunkttheorien Grundlagenwerke für das Wirken zahlreicher Musikschaffender der Zeit bildeten. Obwohl denselben Gegenstand betreffend, weisen beide Theorien fundamentale Unterschiede auf, in musiktheoretischer wie in musikästhetischer Hinsicht. Es stellt sich heraus, dass diese unterschiedlichen Philosophien sich in zahlreichen Werken von Komponisten wie Ernst Křenek, Artur Schnabel, Alexander Skrjabin und Nikolaj Metner widerspiegeln. 2024-08-13T04:05:21Z 2024-08-13T04:05:21Z 2024-08-12T07:41:19Z 2024 book https://library.oapen.org/handle/20.500.12657/92635 9783968221557 https://directory.doabooks.org/handle/20.500.12854/142823 ger Heidelberger Schriften zur Musikwissenschaft open access image/jpeg image/jpeg image/jpeg Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/92635/1/heiUP_OAPEN_Binder_book.pdf https://library.oapen.org/bitstream/20.500.12657/92635/1/heiUP_OAPEN_Binder_book.pdf https://library.oapen.org/bitstream/20.500.12657/92635/1/heiUP_OAPEN_Binder_book.pdf Heidelberg University Publishing (heiUP) heiUP 10.17885/heiup.1131 10.17885/heiup.1131 83eb0236-463a-4213-8a0f-dc16011f70aa 9783968221557 AG Universitätsverlage heiUP 213 Heidelberg open access |
| spellingShingle | Composition; Musicology; Music theory; Counterpoint; Comparative analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology Binder, Max Ernst Kurth und Sergej Taneev |
| title | Ernst Kurth und Sergej Taneev |
| title_full | Ernst Kurth und Sergej Taneev |
| title_fullStr | Ernst Kurth und Sergej Taneev |
| title_full_unstemmed | Ernst Kurth und Sergej Taneev |
| title_short | Ernst Kurth und Sergej Taneev |
| title_sort | ernst kurth und sergej taneev |
| topic | Composition; Musicology; Music theory; Counterpoint; Comparative analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology |
| topic_facet | Composition; Musicology; Music theory; Counterpoint; Comparative analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology |
| url | https://library.oapen.org/handle/20.500.12657/92635 |
| work_keys_str_mv | AT bindermax ernstkurthundsergejtaneev |