Schauspiel & Doppeltes Bewusstsein
The present study examines how four acting theorists—Constant Coquelin, William Archer, Max Martersteig, and Edward Gordon Craig—incorporated new psychological insights on consciousness splits into their considerations. Through their writings from 1880 to 1910, it is demonstrated how the inclusion o...
Saved in:
| Summary: | The present study examines how four acting theorists—Constant Coquelin, William Archer, Max Martersteig, and Edward Gordon Craig—incorporated new psychological insights on consciousness splits into their considerations. Through their writings from 1880 to 1910, it is demonstrated how the inclusion of theories on consciousness led to a shift in the traditional understanding of identity and identification in acting. |
|---|