The Hero and the Victim
Two decades after the US invasion of Iraq in 2003, a canon of American literature about the war has begun to emerge. Gregory Brazeal’s The Hero and the Victim situates Iraq War fiction in war literature’s broader history. In contrast to the emphasis of most pre-modern war literature on the figure of...
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| פורמט: | Online |
| שפה: | אנגלית |
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Lever Press
2024
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| גישה מקוונת: | https://library.oapen.org/handle/20.500.12657/93159 |
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| _version_ | 1869525719353131008 |
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| author | Brazeal, Gregory |
| author_browse | Brazeal, Gregory |
| author_facet | Brazeal, Gregory |
| author_sort | Brazeal, Gregory |
| collection | Directory of Open Access Books |
| description | Two decades after the US invasion of Iraq in 2003, a canon of American literature about the war has begun to emerge. Gregory Brazeal’s The Hero and the Victim situates Iraq War fiction in war literature’s broader history. In contrast to the emphasis of most pre-modern war literature on the figure of the warrior-as-hero, and the growing modern emphasis on the figure of the soldier-as-victim, Iraq War fiction reflects the troubled emergence of a new narrative: the story of the ordinary soldier as a wrongdoer or even criminal. To a greater extent than earlier literature about American wars, Iraq War fiction is haunted by depictions of moral injury and expressions of unresolved guilt.
The emphasis on soldier criminality in Iraq War fiction can be partly explained by the rise of moral cosmopolitanism and its blurring of the traditional conceptual lines between war and crime. The anti-war literature of the twentieth century often presented fallen soldiers on both sides equally as victims and viewed the distinction between heroes and villains as part of the illusion that battlefield experience strips away. Written in the long shadow of Nuremberg, Iraq War fiction grapples with the possibility that the soldiers on one’s own side may not be the heroes in the story, or even the victims, but participants in a wrong, and perhaps even complicit in crimes. The Hero and the Victim contributes to the ongoing, public reexamination of American traditions by confronting a topic that has, up to now, been largely untouched: the moral celebration of military service.
The Hero and the Victim explores the theme of soldier criminality through close readings of several works by American authors, including Kevin Powers’s The Yellow Birds, Phil Klay’s Redeployment, Helen Benedict’s Sand Queen, Chris Kyle’s American Sniper, and Roy Scranton’s War Porn. This volume will be an essential text for students of American literature, historians of war culture, and any scholar interested in representations of the Iraq War. |
| format | Online |
| id | doab-20.500.12854ir-143966 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Lever Press |
| publisherStr | Lever Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1439662024-10-08T04:07:27Z The Hero and the Victim Brazeal, Gregory War Hero, War Victim, War, Warrior, Crime, Criminal, War Crimes, War Criminal, Moral Injury, Cosmopolitanism, Moral Cosmopolitanism, Iraq War, Iraq War Literature, Iraq War Fiction, Vietnam War Literature, American War Literature, War Literature, International Humanitarian Law, Helen Benedict, Chris Kyle, Kevin Powers, Phil Klay, Roy Scranton, Nico Walker, Charles Taylor, War Culture, Culture of War, History of Military Culture, Veterans Studies, War and Crime, Military Criminality, Just War Theory, War Narrative, Narratology, Literary Study thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts Two decades after the US invasion of Iraq in 2003, a canon of American literature about the war has begun to emerge. Gregory Brazeal’s The Hero and the Victim situates Iraq War fiction in war literature’s broader history. In contrast to the emphasis of most pre-modern war literature on the figure of the warrior-as-hero, and the growing modern emphasis on the figure of the soldier-as-victim, Iraq War fiction reflects the troubled emergence of a new narrative: the story of the ordinary soldier as a wrongdoer or even criminal. To a greater extent than earlier literature about American wars, Iraq War fiction is haunted by depictions of moral injury and expressions of unresolved guilt. The emphasis on soldier criminality in Iraq War fiction can be partly explained by the rise of moral cosmopolitanism and its blurring of the traditional conceptual lines between war and crime. The anti-war literature of the twentieth century often presented fallen soldiers on both sides equally as victims and viewed the distinction between heroes and villains as part of the illusion that battlefield experience strips away. Written in the long shadow of Nuremberg, Iraq War fiction grapples with the possibility that the soldiers on one’s own side may not be the heroes in the story, or even the victims, but participants in a wrong, and perhaps even complicit in crimes. The Hero and the Victim contributes to the ongoing, public reexamination of American traditions by confronting a topic that has, up to now, been largely untouched: the moral celebration of military service. The Hero and the Victim explores the theme of soldier criminality through close readings of several works by American authors, including Kevin Powers’s The Yellow Birds, Phil Klay’s Redeployment, Helen Benedict’s Sand Queen, Chris Kyle’s American Sniper, and Roy Scranton’s War Porn. This volume will be an essential text for students of American literature, historians of war culture, and any scholar interested in representations of the Iraq War. 2024-09-11T04:05:52Z 2024-09-11T04:05:52Z 2024-09-10T10:31:38Z 2024 book https://library.oapen.org/handle/20.500.12657/93159 9781643150666 https://directory.doabooks.org/handle/20.500.12854/143966 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/93159/1/9781643150673.epub https://library.oapen.org/bitstream/20.500.12657/93159/1/9781643150673.epub Lever Press 10.3998/mpub.14432099 10.3998/mpub.14432099 1f7afbda-6b1b-482d-b7ae-aa8e17267d01 9781643150666 390 open access |
| spellingShingle | War Hero, War Victim, War, Warrior, Crime, Criminal, War Crimes, War Criminal, Moral Injury, Cosmopolitanism, Moral Cosmopolitanism, Iraq War, Iraq War Literature, Iraq War Fiction, Vietnam War Literature, American War Literature, War Literature, International Humanitarian Law, Helen Benedict, Chris Kyle, Kevin Powers, Phil Klay, Roy Scranton, Nico Walker, Charles Taylor, War Culture, Culture of War, History of Military Culture, Veterans Studies, War and Crime, Military Criminality, Just War Theory, War Narrative, Narratology, Literary Study thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts Brazeal, Gregory The Hero and the Victim |
| title | The Hero and the Victim |
| title_full | The Hero and the Victim |
| title_fullStr | The Hero and the Victim |
| title_full_unstemmed | The Hero and the Victim |
| title_short | The Hero and the Victim |
| title_sort | hero and the victim |
| topic | War Hero, War Victim, War, Warrior, Crime, Criminal, War Crimes, War Criminal, Moral Injury, Cosmopolitanism, Moral Cosmopolitanism, Iraq War, Iraq War Literature, Iraq War Fiction, Vietnam War Literature, American War Literature, War Literature, International Humanitarian Law, Helen Benedict, Chris Kyle, Kevin Powers, Phil Klay, Roy Scranton, Nico Walker, Charles Taylor, War Culture, Culture of War, History of Military Culture, Veterans Studies, War and Crime, Military Criminality, Just War Theory, War Narrative, Narratology, Literary Study thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts |
| topic_facet | War Hero, War Victim, War, Warrior, Crime, Criminal, War Crimes, War Criminal, Moral Injury, Cosmopolitanism, Moral Cosmopolitanism, Iraq War, Iraq War Literature, Iraq War Fiction, Vietnam War Literature, American War Literature, War Literature, International Humanitarian Law, Helen Benedict, Chris Kyle, Kevin Powers, Phil Klay, Roy Scranton, Nico Walker, Charles Taylor, War Culture, Culture of War, History of Military Culture, Veterans Studies, War and Crime, Military Criminality, Just War Theory, War Narrative, Narratology, Literary Study thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts |
| url | https://library.oapen.org/handle/20.500.12657/93159 |
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