Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert

The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emer...

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Egile nagusia: Henry, Chriscinda
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author Henry, Chriscinda
author_browse Henry, Chriscinda
author_facet Henry, Chriscinda
author_sort Henry, Chriscinda
collection Directory of Open Access Books
description The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history.
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spelling doab-20.500.12854ir-1440472025-07-21T15:44:50Z Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert Henry, Chriscinda Vittore Carpaccio,Young Man,Dalla Volta,Viola Da Braccio,Hypnerotomachia Poliphili,Harmonice Musices Odhecaton,Gerard Ter Borch,Getty's Open Content Program,Liberal Arts,Mauro Magliani,Koninklijk Museum Voor Schone Kunsten,Sofonisba Anguissola,Black Chalk,Pietro Bembo,Locus Amoenus,Portrait Of A Man,Aldus Manutius,Palazzo Pitti,Front Ledge,Brown Ink,Graphic Medium,Female Musicians,Della,Castiglione's Il Cortegiano thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history. 2024-09-13T04:13:54Z 2024-09-13T04:13:54Z 2024-09-12T10:12:25Z 2023 chapter https://library.oapen.org/handle/20.500.12657/93210 9780367465391 9781032036083 https://directory.doabooks.org/handle/20.500.12854/144047 eng open access image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/93210/1/9781003029380_10.4324_9781003029380-14.pdf https://library.oapen.org/bitstream/20.500.12657/93210/1/9781003029380_10.4324_9781003029380-14.pdf Taylor & Francis Routledge 10.4324/9781003029380-14 10.4324/9781003029380-14 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Music and Visual Culture in Renaissance Italy 9780367465391 9781032036083 Routledge 23 open access
spellingShingle Vittore Carpaccio,Young Man,Dalla Volta,Viola Da Braccio,Hypnerotomachia Poliphili,Harmonice Musices Odhecaton,Gerard Ter Borch,Getty's Open Content Program,Liberal Arts,Mauro Magliani,Koninklijk Museum Voor Schone Kunsten,Sofonisba Anguissola,Black Chalk,Pietro Bembo,Locus Amoenus,Portrait Of A Man,Aldus Manutius,Palazzo Pitti,Front Ledge,Brown Ink,Graphic Medium,Female Musicians,Della,Castiglione's Il Cortegiano
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
Henry, Chriscinda
Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title_full Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title_fullStr Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title_full_unstemmed Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title_short Chapter 11 The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum Concert
title_sort chapter 11 the convergence of sacred and secular in vittore carpaccio s british museum concert
topic Vittore Carpaccio,Young Man,Dalla Volta,Viola Da Braccio,Hypnerotomachia Poliphili,Harmonice Musices Odhecaton,Gerard Ter Borch,Getty's Open Content Program,Liberal Arts,Mauro Magliani,Koninklijk Museum Voor Schone Kunsten,Sofonisba Anguissola,Black Chalk,Pietro Bembo,Locus Amoenus,Portrait Of A Man,Aldus Manutius,Palazzo Pitti,Front Ledge,Brown Ink,Graphic Medium,Female Musicians,Della,Castiglione's Il Cortegiano
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
topic_facet Vittore Carpaccio,Young Man,Dalla Volta,Viola Da Braccio,Hypnerotomachia Poliphili,Harmonice Musices Odhecaton,Gerard Ter Borch,Getty's Open Content Program,Liberal Arts,Mauro Magliani,Koninklijk Museum Voor Schone Kunsten,Sofonisba Anguissola,Black Chalk,Pietro Bembo,Locus Amoenus,Portrait Of A Man,Aldus Manutius,Palazzo Pitti,Front Ledge,Brown Ink,Graphic Medium,Female Musicians,Della,Castiglione's Il Cortegiano
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music
url https://library.oapen.org/handle/20.500.12657/93210
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