Od kroniki do filmu posttraumatycznego

Documentary materials shot during the war by Nazi cameramen came to define the audio-visual memory of Polish Jews in the ghettoes, and Auschwitz-Birkenau liberation footage became a powerful symbol of the Holocaust. Polish documentary filmmakers had relied on these materials in order to present vari...

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Príomhchruthaitheoir: Łysak, Tomasz
Formáid: Online
Teanga:Polainnis
Foilsithe / Cruthaithe: Instytut Badań Literackich Polskiej Akademii Nauk 2024
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Rochtain ar líne:ONIX_20240916_9788367637367_162
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author Łysak, Tomasz
author_browse Łysak, Tomasz
author_facet Łysak, Tomasz
author_sort Łysak, Tomasz
collection Directory of Open Access Books
description Documentary materials shot during the war by Nazi cameramen came to define the audio-visual memory of Polish Jews in the ghettoes, and Auschwitz-Birkenau liberation footage became a powerful symbol of the Holocaust. Polish documentary filmmakers had relied on these materials in order to present various aspects of the genocide, Nazi atrocities, and the fate of Jews under the occupation. Subsequently, quoting of archival footage lost its appeal and other modes of documentary filmmaking now prevail: cinematic memory work (in response to Alain Resnais's Night and Fog), audio-visual testimony, documentaries of return, etc. The book traces these developments and adopts a comparative perspective, showing Polish productions in the context of a larger international phenomenon of Holocaust cinema. The argument combines insights from psychoanalytical trauma theory, generic criticism, memory studies, and political aesthetics.
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publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher Instytut Badań Literackich Polskiej Akademii Nauk
publisherStr Instytut Badań Literackich Polskiej Akademii Nauk
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spelling doab-20.500.12854ir-1449552024-09-16T09:48:42Z Od kroniki do filmu posttraumatycznego Łysak, Tomasz Holocaust documentary film artists' films memory photography Aushwitz-Birkenau thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema Documentary materials shot during the war by Nazi cameramen came to define the audio-visual memory of Polish Jews in the ghettoes, and Auschwitz-Birkenau liberation footage became a powerful symbol of the Holocaust. Polish documentary filmmakers had relied on these materials in order to present various aspects of the genocide, Nazi atrocities, and the fate of Jews under the occupation. Subsequently, quoting of archival footage lost its appeal and other modes of documentary filmmaking now prevail: cinematic memory work (in response to Alain Resnais's Night and Fog), audio-visual testimony, documentaries of return, etc. The book traces these developments and adopts a comparative perspective, showing Polish productions in the context of a larger international phenomenon of Holocaust cinema. The argument combines insights from psychoanalytical trauma theory, generic criticism, memory studies, and political aesthetics. 2024-09-16T09:48:40Z 2024-09-16T09:48:40Z 2016 book ONIX_20240916_9788367637367_162 9788367637367 9788364703669 https://directory.doabooks.org/handle/20.500.12854/144955 pol Nowa Humanistyka image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.7switch.com/fr/ebook/9788367637367/from/openedition https://books.openedition.org/iblpan/3671 Instytut Badań Literackich Polskiej Akademii Nauk 10.4000/books.iblpan.3671 Documentary materials shot during the war by Nazi cameramen came to define the audio-visual memory of Polish Jews in the ghettoes, and Auschwitz-Birkenau liberation footage became a powerful symbol of the Holocaust. Polish documentary filmmakers had relied on these materials in order to present various aspects of the genocide, Nazi atrocities, and the fate of Jews under the occupation. Subsequently, quoting of archival footage lost its appeal and other modes of documentary filmmaking now prevail: cinematic memory work (in response to Alain Resnais's Night and Fog), audio-visual testimony, documentaries of return, etc. The book traces these developments and adopts a comparative perspective, showing Polish productions in the context of a larger international phenomenon of Holocaust cinema. The argument combines insights from psychoanalytical trauma theory, generic criticism, memory studies, and political aesthetics. 10.4000/books.iblpan.3671 477a500c-a33d-4a1b-a93c-25951fa98708 9788367637367 9788364703669 309 Warszawa open access
spellingShingle Holocaust
documentary film
artists' films
memory
photography
Aushwitz-Birkenau
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
Łysak, Tomasz
Od kroniki do filmu posttraumatycznego
title Od kroniki do filmu posttraumatycznego
title_full Od kroniki do filmu posttraumatycznego
title_fullStr Od kroniki do filmu posttraumatycznego
title_full_unstemmed Od kroniki do filmu posttraumatycznego
title_short Od kroniki do filmu posttraumatycznego
title_sort od kroniki do filmu posttraumatycznego
topic Holocaust
documentary film
artists' films
memory
photography
Aushwitz-Birkenau
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
topic_facet Holocaust
documentary film
artists' films
memory
photography
Aushwitz-Birkenau
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
url ONIX_20240916_9788367637367_162
work_keys_str_mv AT łysaktomasz odkronikidofilmuposttraumatycznego