Ciała zdruzgotane, ciała oporne
The triad of history (both History and (micro)history), body and affect provides a framework for interpretations gathered in this book. Addressing literary, cinematic and artistic depictions of affective encounters between an individual and the flow of history, the authors attempt to provide descrip...
Guardat en:
| Format: | Online |
|---|---|
| Idioma: | polonès |
| Publicat: |
Instytut Badań Literackich Polskiej Akademii Nauk
2024
|
| Matèries: | |
| Accés en línia: | ONIX_20240916_9788367637343_176 |
| Etiquetes: |
Sense etiquetes, Sigues el primer a etiquetar aquest registre!
|
| Sumari: | The triad of history (both History and (micro)history), body and affect provides a framework for interpretations gathered in this book. Addressing literary, cinematic and artistic depictions of affective encounters between an individual and the flow of history, the authors attempt to provide descriptions of both the bodies shattered by historical discipline, and those which resist the imposing mechanisms of the historical machine. Literary and cultural scholars, art historians and philosophers, whose essays are presented in this volume, have decided to take an interest in affects not only in order to immerse themselves in the reflection on the crisis of representation which has animated critical thought in the humanities in the last few decades. They all turn towards a material, somatic experience of history and towards history understood as event and/or trauma. Affective aesthetics do not approach analysed objects as isolated or closed works, but rather, they uncovers their pan-intertextuality and the complex and convoluted paths of their influence on both individual and cultural reception. The notion of representation is replaced here by that of figuration. Affective perspective allows one to interpret works of literature and art in a new way, or rather, it opens up a possibility to reach, with the help of new, more adequate tools, for that which has long been of interest to cultural analysis. It leads one towards new readings/analysis, as well as to the new concept of historicity enriched by the powers of imagination. (Prof. Adam Dziadek) |
|---|